Mark Millar Quotes

Over the years, the writers at DC Comics softened Wonder Woman's powers in ways that would have infuriated Marston. During the 1960s, she was hardly wondrous at all, less a heroic warrior than the tomboyish girl next door. It was no longer clear whether she was meant to empower the girls or captivate the boys.

I'm making a movie about Wonder Woman, who I love, who to me is one of the great superheroes, so I just treated her like a universal character, and that's what I think is the next step when I think you can do that more and more and when studios have the confidence to do that more and more.

Even when I was a little boy, when I was seven, I absolutely loved Wonder Woman, and I saw her as one of the superhero greats with Superman and Batman, and I think it's because she was her own thing. She always felt like the real deal the same way that Superman and Batman did. Whereas the She-Hulks and Spider-Women and all that kind of thing felt like a continuation of a concept.

We're really delving into so many stories that are comic book based, so I like that we have a woman as part of that production. We haven't really explored that too much. Wonder Woman has had so many different connotations over the years because she's so beloved as a character, and it's been interesting to see how she's evolved - to see how her outfits have changed, and going from having her invisible plane to starting to fly herself, and sort of be on par with the physical attributes of Superman.

I think there are great roles for women in television because there is time to allow those characters to evolve. Even if you're the wife or the girlfriend or whatever it is that we women are, playing those things on TV, they are much more drawn out and there are greater arcs for the role. The roles are more integral to the complexity of the story.

All my kids love superheroes, but my middle daughter in particular is obsessed with Wonder Woman and Batgirl.

Teach your children to work, teach your daughters modesty, teach all the virtue of economy. And if not make them saints, at least make them Christians.

I can't imagine writing a book without some strong female characters, unless that was a demand of the setting. I actually tend to suspect that in real life, there have always been very strong female characters, but at certain stages of society, they've been asked to cool it.

We pulled them [ Bink & Gollie] out of our feeble little brains.

There's plenty of girlfriend roles out there. They've come my way, and many people have turned them down, and I think, "Oh maybe I could do something with this." It's interesting when you get those roles, which seem like nothing on the page, and you kind of subvert them. It's hard to say no.

Oddly, I think if you look at comic books, you look at the shelves in the store, it's predominantly male characters, historically. But if you look outside the window it's 52-percent female, and something odd is going on there. So I do think it's your responsibility as a writer, really, to create stuff that little girls can get into too. I want my daughters to have role models that are female.

All of us have monarchs and sages for kinsmen; nay, angels and archangels for cousins; since in antediluvian days, the sons of God did verily wed with our mothers, the irresistible daughters of Eve. Thus all generations are blended: and heaven and earth of one kin: the hierarchies of seraphs in the uttermost skies; the thrones and principalities in the zodiac; the shades that roam throughout space; the nations and families, flocks and folds of the earth; one and all, brothers in essence-oh, be we then brothers indeed! All things form but one whole.

Know the story before you fall in love with your first sentence. If you don’t know the story before you begin the story, what kind of a storyteller are you? Just an ordinary kind, just a mediocre kind – making it up as you go along, like a common liar.

When you're wondering whether she's his daughter or his girlfriend, she's his girlfriend.

When you encounter sophistication in the creation of a female character, you thank the writers and you claim it.

I began as a dramatist in the theater, so I'm always thinking about how a story moves, what it looks like, how to engage the senses, how dialogue sounds, what feels authentic and sounds real, what's funny, how to build distinctive and original characters - all the aspects of playwriting, scene-building, the architecture of dramatizing.

If I can look at each character that I am given and create them in a different way from the last role, I'm happy.

I'm not sure that it's easy to find very interesting female characters in Hollywood movies.

It's a different thing with cable TV. You don't have to have your characters be lovely again by the end of the episode. And in this era of the male antiheroes on cable TV, you don't even need to make them likable; you just need to make them compelling. As opposed to film, where it's still those basic tropes of good versus evil. But for women, I don't think that has been widely seen yet.

When you can find a strong character and a director that does want to protect the integrity of all characters, female and male, then you have a good deal.

I think the relationship between mother and daughter is so interesting, even in a semi-normal family. Emily Thorne/Amanda Clarke's family relationship is going to be so interesting to explore. It is going to give me so many places to go. Obviously, it has been said that she is not the most stable of characters. What is interesting about that, when you think about mental health, is that young women will often come into those problems and difficulties in their 20's, so it is very possible that this will start to affect her psyche.

I wanted to have very strong female characters. I just thought it was always the way the world should be.

You have to treat it like a fresh character. Sure, there are guidelines so that you don't upset people, but you have to find your own way.

I'm excited for everybody to see the books. In Justice League #15, there's a lot of other stuff too that's setup in this storyline that's going to explore Superman and Wonder Woman and Cyborg. Cyborg has a huge role in this story, actually, that sends him on a new path as well.

I think in every character there are aspects of yourself that you bring to it. But then it would be really boring to just play yourself.