Maya Angelou Quotes

The only way to be a novelist, to think that you can create something others will give themselves up to for a dozen hours or more, is to have psychotic self-belief.

My advice to young writers would be to write every day, even if it is only a few words. Get yourself on the habit of writing and it will become a lifelong one. And find a place to write where you are physically comfortable. You can't concentrate if you aren't. Ernest Hemingway could only write standing up, and Truman Capote could only write lying down!

In the end, you have to just sit down, shut up, and write.

Our day-to-day lives are pretty chaotic. So in terms of the writing part, you have to get pretty disciplined about finding quiet moments and making sure you're making time for the art side, on top of all the time-consuming business side.

At the end of the day, I think the only way to do the kind of job a writer does is push everything aside and just ultimately sit down and do the work.

I've been writing every day of my life for 65 years.

A lot of writers ... sit in a log cabin by the lake and put their feet up by the fire in the silence and write. If you can have that that's all very well, but the true writer will learn to write anywhere -- even in prison.

My fear is you have to be careful as a writer to not get caught up in social media and blogging, because it can start to feed into your writing time. When you are writing a book, it's such a long journey where the payoff is way at the end, sometimes years away. The payoff of the blog post is today. You get the reinforcement, comments or "likes" immediately. It's appealing. You have to be patient with the book.

My working method has more often than not involved the subtraction of weight. I have tried to remove weight, sometimes from people, sometimes from heavenly bodies, sometimes from cities; above all I have tried to remove weight from the structure of stories and from language. . . . Maybe I was only then becoming aware of the weight, the inertia, the opacity of the world--qualities that stick to the writing from the start, unless one finds some way of evading them.

I'm able to lead my life as well as make a film. My wife and my friends and people around me know that I do tend to distance myself a little bit during the making of a film, but I have to, it's a natural part of the process for me because you are indulging in the headspace of somebody else, you are investing in the psychology of somebody else and you are becoming somebody else, and so there isn't enough room for you and that somebody else.

I think that very often younger writers don't appreciate how much hard work is involved in writing. The part of writing that's magic is the thinnest rind on the world of creation. Most of a writer's life is just work. It happens to be a kind of work that the writer finds fulfilling in the same way that a watchmaker can happily spend countless hours fiddling over the tiny cogs and bits of wire. ... I think the people who end up being writers are people who don't get bored doing that kind of tight focus in small areas.

My secret for writing is going back to clarity. I'm very clear about what I want to accomplish-the goal-and then the next two are focus and concentration. And I've probably spent my whole life both practicing those two and teaching them. Focus. Focus on a single point and concentration. And concentrating on a single thing till it's done.

I set myself 600 words a day as a minimum output, regardless of the weather, my state of mind or if I'm sick or well. There must be 600 finished words — not almost right words. Before you ask, I'll tell you that yes, I do write 600 at the top of my pad every day, and I keep track of the word count to insure I reach my quota daily — without fail.

I don't want to blame anybody, but I just want to tell you that the process of writing is antisocial, so on the days that you have something really important to write, go from lying down directly to your notepad or your computer. Do not talk.

Being a real writer means being able to do the work on a bad day.

Writers tend to work early in the morning, or late at night, when brains are naturally able to focus deeply on one thought. In the middle of the day, distractions are unavoidable. I wonder if anything worthwhile has ever been written in the afternoon.

[When working on a book] I have an almost complete detachment from the world I live in, a sort of armor against distraction. I talk to people, move about, appear on the surface much as usual. But later on I have only a confused memory of what has happened during that period.

The desire to write well can never be fulfilled without hard work.

People say to write about what you know. I'm here to tell you, no one wants to read that, cos you don't know anything. So write about something you don't know. And don't be scared, ever.

I write two pages - that's all I write. It takes me about an hour. I've learned that's all I'm capable of and to push myself beyond that is foolhardy. It's a very delicate thing, and I will not abuse it. So I write two pages, then I get up from the computer.

Nevertheless, hateful as saying 'No' always is to an imaginative person, and certain as the offence may be that it will cause to individuals whose own work does not require isolated effort, the writer who is engaged on a book must learn to say it. He must say it consistently to all interrupters; to the numerous callers and correspondents who want him to speak, open bazaars, see them for 'only' ten minutes, attend literary parties, put people up, or read, correct and find publishers for semi-literate manuscripts by his personal friends.

I know a lot of people don't listen to music when they're writing because it distracts them, but for me it's almost a way to get into the self-hypnotic state that I need to be in to write.

The best and easiest lesson for me was to learn that writing is mostly hard work.