Jason Isbell Quotes

For me to create an album of 12 songs, I've got to write about 80 songs. Half of those are totally weird and rubbish. But I get to some really good stuff after a while.

When you've got an extra gear in your head where that's all you do, you've constantly got a little radar up. ... And when something hits that strikes that beeper, hits that radar, it's like my song skills kick right in and go, 'Oh, OK, there's a song in that.' And then I start trying to figure it out.

I wrote 'She's a Lady' on the back of a TWA menu, flying back from London after doing Tom Jones's TV show. Jones's manager wanted me to write him a song. If I have an idea and I don't have a pad of paper, I'll write on whatever is available. What's the difference? Paper is paper.

It's different for every song. But for 'Say Something,' I think it was Chad who had an idea on guitar, and I had an idea on piano for different songs, and we just married them together. We bounce things off each other constantly and kind of massage all these ideas into a three and a half minute pop song.

Even when I don't think I'm writing, I'm writing. There's some part of my brain geared toward making songs up, and I know it's collecting things and I know when I get a moment to be by myself, that's when they come out.

There's many, many ways to write a song. But generally, sitting down at a table and writing is not one of them.

Writing a song to be a single is hard, and I don't like to focus on that because you can get caught up in making something just terrible, which is really easy to do if you're focused on making it a single. It's more fun when you focus on what excites you musically.

I'm not used to not having enough time to live with the songs. Usually, if I write something, I live with it for a little while.

Usually when a song comes to me, I don't ask a lot of questions; I hear something, and I just let it out in song. It's like making a salad. Everything I hear, and everything I am, I mix together in a different way in each song.

Once I come up with the concept, the rest of the song just comes.

The first record we put out on Fueled by Ramon, 'The Papercut Chronicles,' we had no idea what the term 'producer' meant. It was just us writing songs, and we are trying to go back to that - singing in a room and vibing off each other.

Every song you write you think is the last one you're going to manage. You put everything you've got into the song, and you've twisted it and pulled at it and dug in and found a way to complete it. To get another one is the trick.

The goal is always just to write the best song that you can write. I mean, the process for writing a song is the process for writing a song. It's not something I look at it as something I need to do something different.

When you're writing with an artist or for an artist, you have to help them serve their vision. That's the cool part about writing songs. There are no rules.

For me, the more time you can take and the more care you can take with songs, the better off you're going to be.

I do always the music before the lyrics. The story or an idea for the lyrics appears during the composing process normally, but some other times I already have a strong idea of the story I would like to sing before any music comes to my mind.

I just write notes all day on my phone, and when I write songs it becomes a patchwork of these smaller notes that I had, mixed with stuff in the moment.

I wouldn't sit down and work at writing a song like a novelist or something.

I call it a process of elimination. You're nurturing ideas, and that takes time. What happens is there's so many, what I say, 'great ideas.' What you have to do is try to consolidate them and put them into one song, and then your song becomes eight minutes long.

Some songs just fall out of you. And some you have to wrestle out like an abscess.

I've always had something turning in my brain. And it got to a point where I felt it was stupid to let some of the tunes die. So I began putting them down on paper.

It was hard to write or compose... we just had to go back and finish making songs. If we make 20 songs, we'll throw away 10.

It's gotta feel natural. I'm always into that, and after awhile, if I am working on a song too long and trying to make something out of it that it's not... it's best just to stop and move on.

I just like a beat that grabs me. And then I'll come up with a concept after. I like to take my time with music.

When I go into a room to write, it's like I'm not trying to say, 'I need to write a song that sounds like Eric Church or Jason Aldean.' I just try to get the best song that's in the room that day. Whatever style or sound that may be, I'm not afraid to attack it at that angle.