Lucy Maud Montgomery Quotes

For my own part, I would rather be in company with a dead man than with an absent one; for if the dead man gives me no pleasure, at least he shows me no contempt; whereas the absent one, silently indeed, but very plainly, tells me that he does not think me worth his attention.

I find that if I don't do interviews, I get a little squirrely. I think that when you engage with someone else, or when you engage in something you're passionate about, you're sort of out of your own head.

What I've always seen in writers and artists is the courage it takes to make an original work of art. I think the real risks in literature are linguistic and intellectual, and I hope we can highlight those, as well as political courage.

For me, what I've always seen in writers and artists is the courage it takes to make an original work of art. I think the real risks in literature are linguistic and intellectual, and I hope we can highlight those, as well as political courage.

I don't think I've ever been as scared in my life as I was to be extraordinarily honest with my kids.

I just tried to come up with some honest songs. What I was writing about was real plain stuff that I wasn't sure was going to be interesting to other people. But I guess it was.

People are very uncomfortable when you call actors artists because there are a lot of actors out there that aren't artists - there are a lot of actors that are hired for very specific reasons that are shallow and have to do with sexual currency and what the industry thinks sells. Real actors are artists, they're expressionists.

The real beginning of influence comes as others sense you are being influenced by them - when they feel understood by you - that you have listened deeply and sincerely, and that you are open.

I am worried that the next generation will not be able to have a real conversation.

I think that's the important thing - being aware of that inspiration and being able to interpret it into something that's meaningful for you.

You listen to a politician making a speech, and it is like hearing nothing. Whereas, music is unmistakably music. The thing about music is that nobody listens to it unless it's real. I don't think that you can fool anybody for too long in music. And you certainly can't fool everybody.

Writing is a completely private act. It's in a way like play but very serious play, and sometimes I can escape into the fictional world that I'm creating so fully as to see hours go by without my noticing it. I think that kind of suspension of time and that mindfulness is a real gift.

The same person who would never raise his hand in a lecture hall of two hundred people might blog to two thousand, or two million, without thinking twice. The same person who finds it difficult to introduce himself to strangers might establish a presence online and then extend these relationships into the real world.

I have a thing about honesty; I think it's crucial to a relationship. Otherwise, one person holds all the power. It's healthy to be straightforward, and it turns out you can wind up weathering a lot. Knowing that everything is on the table - what you see is what you get - lends a sense of safety.

There are things that I canna tell you, at least not yet. And I'll ask nothing of ye that ye canna give me. But what I would ask of ye---when you do tell me something, let it be the truth. And I'll promise ye the same. We have nothing now between us, save---respect, perhaps. And I think that respect has maybe room for secrets, but not for lies. Do ye agree?

The difference between listening and pretending to listen, I discovered, is enormous. One is fluid, the other is rigid. One is alive, the other is stuffed. Eventually, I found a radical way of thinking about listening. Real listening is a willingness to let the other person change you. When I’m willing to let them change me, something happens between us that’s more interesting than a pair of dueling monologues.

Art's true purpose is to be human as opposed to some rarefied activity set away from real life. I think art should help you to navigate the real challenges of being a human being.

Keep it real by being straight forward. Don't pull no punches on people. It's better to tell somebody than just lollygag around, letting them think they're living their life the right way. Because some people don't know what the hell they're doing, they don't know if they're living the right way or making the right decisions. Some people don't know that.

Friendship that insists upon agreement on all matters is not worth the name. Friendship to be real must ever sustain the weight of honest differences, however sharp they be.

I think people relate to the music because I have a sense of empathy, and I think I have a good understanding about relationships, and I talk about them in a real, honest way

Perhaps it is indeed time I began to look at this whole matter of bantering more enthusiastically. After all, when one thinks about it, it is not such a foolish thing to indulge in - particularly if it is the case that in bantering lies the key to human warmth.

Ultimately, I think writing is a mixture of craft, inspiration, and being incredibly, courageously explorative with yourself - and being brutally honest, too.

It takes skill to be real. Time to heal each other

The cliché of that sort of wasted, renegade, drugged-out musician of the '70s is kind of dead and gone now. And I suppose that a lot of people still keep relying on that, or some kind of image to perpetuate something that they think they're supposed to sound like. But that kind of takes you away from real inspiration and, you know, real artistic discovery of the individual.

I think making things that aren't necessarily shiny, happy feelings, putting them in that environment is sometimes an easy way to deal with the ugliness. Like, I know that as a kid, that I found - I think I learned this a bit from my mother - that if I could be as warm around strangers, no matter how strange or what different environment I was in, that people tended to be warm back.