Iwan Rheon Quotes

I really love hanging out on the set, and I love the life, and all of that. But I don't think I could stick with this profession if it weren't for those 15 minutes a day when I get to act. That's the part I love. For some strange reason, it's the time that I'm the least self-conscious in my whole life.

As an actor the best thing you have is your imagination. You're not going to have all the experiences, but you draw on the things that you know. So I think you definitely use the things that you're familiar with to your advantage.

It's very easy I think when you're a creative person to wait for the right thing and to start getting self-conscious about how you are going to express what you do and what's special about you. I would say in general, a lot of times the answer is that you just dive into something and you find your own voice through that process.

I'd like to think that I don't have a stock character that I go to. I'm lucky in that when you get to initiate your own scene, you get to play whoever you want. That's really kind of cool, but all my characters are short. I look on the videotape, and I thought they were taller, but they're all 5'2".

Acting is different all the time. When you're on set, different films, or just even in between, it's never the same. I think that's one of the things I love about it.

A writer, or a beginning writer, is faced by the huge walls of self-consciousness. Most people think, "What if I say the wrong thing? What if I don't sound erudite and sophisticated? I'll be considered a fool." In time, with a lot of practice, you realize that's your foolishness is your gift.

I started working in front of the camera for the first time when I was 15 years old. I joined a soap opera. We filmed in Brooklyn and I would skip class to shoot my scenes. It was terrifying and I entirely self-conscious in front of the camera.

My feeling is that I think writers in general tend to be self-conscious and it takes a bit of a leap of faith or just not giving a sh-t to write something you know people are going to criticize.

I think I succeeded as a writer because I did not come out of an English department. I used to write in the chemistry department. And I wrote some good stuff. If I had been in the English department, the prof would have looked at my short stories, congratulated me on my talent, and then showed me how Joyce or Hemingway handled the same elements of the short story. The prof would have placed me in competition with the greatest writers of all time, and that would have ended my writing career.

We were in front of a live audience and I would be acting with the man who was playing my lover, and we used those words, and the audience would titter and laugh, and make me uncomfortable doing the scenes. ... I wanted to sort of stop and yell at them, "What's so funny? What's the matter with you people? Grow up!" It made me very self-conscious at times.

I think the beautiful thing about acting is you don't really know who you are. You're able to be whatever you want any day during the week.

It used to be embarrassing. In the beginning, because you listen to yourself so much, you think, I must look like an asshole right now - or sound like an asshole. And then, you just get to that point where you've done so many ridiculous, ridiculous things in the booth from screaming, to having orgasms, to whatever your director is asking you to do for this character, you just lose your inhibitions.

I don't watch anything I'm in. Not even on set. I won't go over to the monitor to watch what we've just shot. It's too terrible. I think I'm just very self-conscious.

Everything about acting is a challenge. I'm self-conscious. You couldn't do anything to cause me to be more self-conscious than to stick a camera in my face and have 60 people standing behind it, waiting for me to perform.

I'm shy. People get confused. They think as an actor you can get up and be confident on the screen. Why aren't you like this in normal life? Why can't you act in your social life? 'Because I can't!'

Sometimes I find myself at three o'clock in the morning painting something and throwing things around and seeing what works. I'd like to properly study fine art. I think it would be quite an interesting endeavor.

Almost everything I learned about being an actor came from those early years at the Actor's Studio.

As actors you're always afraid to go too far but Lasse Hallstrom wants you to go too far. He wants you to do it wrong, to be over-the-top, and that's so freeing to be able to think 'Now I can try and be bad'. There's no pressure on you and you don't feel you can make a mistake.

The fact that I'd never really seen myself on screen allowed for a blissful ignorance. It didn't feel like a movie. I didn't have that self-consciousness. It was a game that I was playing.

It scares me to speak my mind, it might sound self-absorbed, I don't say half of what I think, I wonder what I'm thinking for

I personally think if you're given four months instead of four weeks on a play, with the people who want to work that way, the play will invariably be different and stronger, and much more fulfilling and richer on all counts. There's no doubt in my mind about it.

It's the scariest thing in the world, going to acting class, because first of all, there's a lot of pressure. I just go back to being that fourth grader who couldn't, like, sit still in her seat.

When I first went into freelancing, I think there was a period of about eight months when nothing happened. Everything that I wrote crumbled up, and then it became a self-destructive thing - when you begin to doubt yourself, when doubt turns into - it's sort of like impotence. Once impotent, you're forever impotent. Because you're always worried about being impotent.

I've never been trained as an actor. I'm no Phillip Seymour Hoffman or Johnny Depp.

When I was a younger actor, I was very immersed in it, very "method" and all that. Now, I don't give a hoot.