Mindy Kaling Quotes

The hardest thing about this industry is not working.

Obviously it's true that as you go up the ranks, the number of women starts to decline. Whether that's because of 'self-deselection' or other barriers, I think that depends on the firm, the industry, and the person.

The intersection of being female and a showrunner carries difficult challenges.

Women receive easily the most difficult assignments.

We have an almost desperate need for more women to run for office and for more women to really gut it out after they have kids and stay in their jobs and get to high positions in companies. We need women at the top more than ever. We need women's voices there because they are very different than men's voices and they bring a very valuable and necessary point of view to the table.

Women on the way up generally fail to win popularity contests. The only compensation is that once you're there you will become very well liked.

Each job you have has it's own challenges. One of the great things about my job, is that each film is a different journey.

Your job is to meet the right people and read the right books.

There isn't a single day I don't do some writing -- if you don't, you won't have a book. When you're self-employed it is very easy to burn away your time instead -- answering e-mails, surfing the Internet, or hanging out with friends. You really must have the discipline to sit down and write every day. Most of what I am writing is living in the back of my head or in my subconscious. I find if I write every day, my subconscious will do the job for me.

There's obviously instances where I perceive sexism in my job. ... I think that the sort of sexism that I see has been one that's a little bit like a gentler form of sexism, but still a little bit debilitating, which is that when, as a producer and a writer, whether it was at The Office or [at The Mindy Project], if I make a decision, it'll still seem like it's up for debate.

I thought I would write something that would make some people uncomfortable. . . . What intrigued me, I think, was the idea of women of my own generation who were successful, intelligent, coming to power and suddenly in the public arena. I started to think about what they are allowed and what they are not allowed.

We've ceased making progress at the top in any industry anywhere in the world . In the United States, women have had 14% of the top corporate jobs and 17% of the board seats for 10 years. Ten years of no progress.

I actually was doing ghostwriting jobs since I was 17 years old, so I've been supporting myself off and on with writing jobs for almost 10 years. But those were all things that I did off the books. And now I do a lot more writing on the books.

Times are changing and women need the critical stimulus of competition outside the home. A girl must nowadays believe completely in herself as an individual. She must realize at the outset that a woman must do the same job better than a man to get as much credit for it. She must be aware of the various discriminations , both legal and traditional, against women in the business world.

In terms of the economics, yes obviously the rise of e-books and how people choose to read books has a big effect on the economics of the game. But whether people are buying them on paper or downloading them there's still some poor wretch in a room who is trying to write a poem, write a story, write a novel. And so my job doesn't change. It's just how people receive it and economic conditions on the ground change, but that doesn't affect what I write.

In those same 10 years, women are getting more and more of the graduate degrees, more and more of the undergraduate degrees, and it's translating into more women in entry-level jobs, even more women in lower-level management. But there's absolutely been no progress at the top. You can't explain away 10 years. Ten years of no progress is no progress.

As a poet or a novelist or a painter, you are pushing yourself all the time, always looking for a new way to approach something, challenging yourself and never, never trying to write the same book twice.

The biggest influence on my writing, besides snagging some ideas about black humor, was that the paper mill had a program where they paid 75 percent of the tuition and book [costs] for employees who wanted to go to college part-time.

I think I write for reluctant readers. Of course I want everyone to enjoy my books, but if the kids in the back row who normally don't pick up a book are engaged with what I'm writing, along with the kids who are big readers anyway, then I really feel like I've done my job.

Now it's somewhat easier for a woman to be a film producer or something like that if she wants, though it's not that easy. But to be any kind of successful woman took a lot of doing in the '30s, '40s, '50s, '60s... in the '70s it's getting simpler.

If I wasn't an actress I'd want to be a writer or else find a job where I got to read books and watch movies all day, everyday, for the rest of my life.

They said I would never write this book. Well, f**k ’em – ’cos here it is. All I have to do now is remember something... Bollocks. I can’t remember anything.

I write the book for one person — for Fiona [Staples, the artist]. I spend a lot of time just thinking how she'll react to things and manipulating her into drawing perverse, horrific things. It's a really weird job but I enjoy it.

When I had finished the book I knew that no matter what Scott did, nor how he behaved, I must know it was like a sickness and be of any help I could to him and try to be a good friend. He had many good, good friends, more than anyone I knew. But I enlisted as one more, whether I could be of any use to him or not. If he could write a book as fine as The Great Gatsby I was sure that he could write an even better one. I did not know Zelda yet, and so I did not know the terrible odds that were against him. But we were to find them out soon enough.

Why do people write books that say it's better to be older than to be younger? It's not better. Even if you have all your marbles, you're constantly reaching for the name of the person you met the day before yesterday.