Raf Simons Quotes

With McQueen you have so much at your fingertips. That is what's so incredible about this place. Lee built an amazing house, an English house - and that is very important - where creativity rules, where you can do whatever you want to do for the shows because no one's saying: where's your basic dress, where's your three button jacket?

Weezer isn't stuck in roles, so we just do what we want to do, what makes us excited.

Creative freedom is an imperative for me, but it doesn't really exist in a Hollywood game.

A truly creative person rids him or herself of all self-imposed limitations.

I've been very lucky in the freedom that I've been given. Every artist needs two types of freedom: You need the freedom to - the freedom to come up with an idea or treatment - and then you need the other half of the freedom, and that's freedom from - somebody saying, 'This is great. This is how I want you to do it.'

The sublime moment seems to be only a product of allowing yourself to get through, to get to a lot of stuff in your life, write about a lot of stuff and not edit yourself. That is a great lesson to learn for anybody that writes or creates in anyway, to be able to make something without being good or bad.

That is the most liberating thing to feel as an actor: that you don't have to hold back or be afraid. A bit might not work, but it doesn't matter.

I had a lot more creative freedom back in the day.

That's what I feel like my music represents - having no limits or restrictions.

It also signals to me, when I pick up a pencil, that this is a rough draft. This is not going anywhere, and no one's going to see it. You have permission to make all the mistakes you want. It signals freedom to me, and it signals mistakes.

Dustin Hoffman takes such pleasure in what he does and there's nothing tense about him. He exudes joy and passion for what he's doing and that infects everyone. It certainly put me at ease coming to work with him every day. I felt his confidence and freedom rubbed off. He doesn't censor himself or stop an idea because he thinks it might be wrong.

I think making small movies reminds you of the effort. When you make big movies, the effort is to fight for freedom. When you make small movies, the effort is making the day, making the budget, and it's great, too.

People should be free to take whatever they want from music and I think that over time I realized that different people always find different things in my songs, which is really good.

I just feel such freedom to do whatever. If a song's seven minutes or ten minutes long, then so be it - it's that long.

The artist's duty to himself is a combination of immense responsibility and immense irresponsibility. I think those two interlock.

... We have quite a large area, and that makes it more fun for us - certainly more satisfying, because it doesn't restrict us to one particular idea or one particular style. The result, I think, is pretty interesting ... we don't expect to make a fortune at it or ever be popular or famous or worshipped or hit The Ed Sullivan Show or the circuses or the big top. As long as we can play, we'll play, regardless of what it's for, who it's for or anything. It's fun for us - that's the important thing.

I don't like to tell people what format they can get things in, or say, "I'm only going to release this on vinyl and nothing else. You have to come to my world." I don't like to say that to people either. But, I do think there's a loss of romance.

I think basically I'm a painter, but I would use anything to make my point.

I think the thing that I love the most about working in the digital cinema is that you're only limited in your cinematic technique by your imagination - you're not restricted by the physical laws of nature. You don't have to worry about physically moving a 50lb camera through space, or worry about shadows and rigging.

There's such a freedom about being an artist... You're not accountable - you're this renegade thing.

Genius ... is necessarily intolerant of fetters.

I think once everything is in place, once you've kind of wrapped your head around the story and the character, it's very liberating and you can start doing things like you would do.

One must indeed be ignorant of the methods of genius to suppose that it allows itself to be cramped by forms. Forms are for mediocrity, and it is fortunate that mediocrity can act only according to routine. Ability takes its flight unhindered.

The whole thing that drew me to doing an animated film is that you're freed from the physical limitations of your physical body. All of a sudden, you get to be something that has nothing to do with the fact that I'm a 6'4", lumbering dude, and that is really exciting.

An artist must not feel under any constraint.