Erin Moriarty Quotes

I'd say that the director I had most involvement with was Alex Rockwell in 'In the Soup'. It was one of my earliest leading roles, and he gave me a lot of responsibility as an actor.

Other times you can get showy for three minutes, and that's OK with certain films. But that isn't right with an Ang Lee movie, you have to fit right in. You have to understand Ang, respect him and be part of the team and not be in charge of it - he is in charge of it.

I have a particular love of an actor that I did work with, oddly, in 'Donnie Brasco,' who has since become a wonderful talent: Paul Giamatti. I would love to do a whole movie with Paul Giamatti.

Well, obviously I was excited by the idea that Woody Allen was going to direct it. But at the same time, the script itself and the character was really interesting.

Quentin Tarantino is a genius. I want to do every single film with him.

I wanted to work with Bryan Singer because I like his films.

Peter Chelsom and Edgar Wright are totally different directors and worlds apart, but both really accomplished directors who are certain of how they want to make a film.

All these directors, and I would include the Coen brothers and Quentin, have a very unique vision of what they want. They listen to ideas and make people feel like everyone is making the film.

Trying to make something as tricky as 'Room' really believable is extremely hard, and it largely rests with that relationship between the actors and the director, and the director and the crew.

I would like to thank the 49 actors who appear on screen in 'Whiplash' for realizing Damien Chazelle's vision so beautifully.

Madhuri should do more films. She should do a film with me where she is romancing me.

The thing about Spike Lee... that's a deep experience to work with someone who is that intense and knows their vision that well. The character I play in 'Red Hook Summer' is super country and super loud. I suppose he is some version of myself.

There are definitely directors I want to work with like Dibakar Banerji, Zoya Akhtar, Vishal Bharadwaj, and so many more.

I do believe that there are auteurs, in the sense that there are filmmakers with very strong voices and their voices are communicated on to the screen without a lot of compromise.

I always loved doing a movie with Daldry. That's always a huge factor for me.

I would say that it's mainly about the director. It's a hard quality to find, but I always know whether I want to do something or not. The character is important to me, as is getting to work with people that I feel like I can learn from and make a great movie with.

He wasn't directing it, of course, so I didn't work with Hitchcock.

Making 'Coraline' was one of the great filmmaking experiences of my life.

Obviously I would love to work with all these great directors like the Coen Brothers, Tarantino. Robert Rodriguez is a dream director of mine.

Stoller is one of my favorite comedic directors - one of my favorite directors that I've worked with to date.

Stephen Daldry would be a director that I would love to work with as well as Peter Jackson, Tim Burton, and I'm very lucky to have worked with Isabel Coixet, who is also one of my favourite directors.

Tim Story is a fantastic director, and I'm so excited to get to work with him.

The real joy is in constructing a sentence. But I see myself as an actor first because writing is what you do when you are ready and acting is what you do when someone else is ready.

I hooked up with director Jacques Audiard for this film called 'Rust & Bone' with Marion Cotillard. I loved that experience so much I'm truly sad that it's over!

An actor is only a part of the film, not the whole, and very often, he is moulded by the director. That is why a good director can make so much difference to a film.