Paul McCartney Quotes

I wouldn't mind seeing The Smiths reform. That would be cool.

Like most things that happen with Sabbath, it happened all of a sudden. I was intending on doing some recording, but out of the blue, Sharon called up and said she wanted us to do these gigs with Ozzy. I said that if everybody else was up to it then I would love to do it.

When a band like Blondie re-forms, you wish them the best.

I would do a Byrds tour or a Byrds record in a minute. I miss that band now. I've tried to convince Roger over and over to do it, but he's not interested. Music isn't something you can legislate into being.

As a performer, I don't like to play the same thing over and over. I like to play it and let it go and move on. That's also why television hasn't really been something that I've done.

That's the fun thing about making movies is that you get to do stuff. You get to be things, say things that you're not, kind of walk in someone else's shoes and play dress up and make believe. It's pretty cool.

I don't want to be a slave to history or facts. As long as I'm getting a good cursory understanding of what it is and I'm not drifting too far away at certain points, then I can play with the idea and take it anywhere I want to.

I grew up with synthesizers and weird, spacey music-hip-hop, R&B, modern rock-that I heard on the radio. That's influenced the way I play music. It's natural for me to go with what I feel. If I didn't let that other stuff out and stuck to a certain format, I would feel like I was missing out on something. I'm just enjoying my ride and being who I am.

I've given offense by saying I'd as soon write free verse as play tennis with the net down.

I do not know if you bridle your pen, but when my pencil moves, it is necesary to let it go, or - crash!... nothing more.

Finding the medium that excites your imagination, that you love to play with and work in, is an important step to freeing your creative energies.

It's more in retrospect as I've thought about it over the years and look back at what I wrote, how I wrote things - like there's a song that Ralph Stanley later recorded with me that he had guested on my record what was called "Travelers Lantern" that I wrote as basically, you know, a hymn.

Then how can you ever know about the beautiful goodness of Mud? How bad it wants to be things. How bad it wants to get on your legs and arms and take your footprints and handprints and how bad it wants you to make it alive! Mud is always ready to play with you. Seriously you should try it!

The reason I got into this business was for the privilege to exist in different genres and different worlds and play out different realities.

What most of us must be involved in--whether we teach or write, make films, write films, direct films, play music, act, whatever we do--has to not only make people feel good and inspired and at one with other people around them, but also has to educate a new generation to do this very modest thing: change the world.

I think it's possible to allow an artist to go beyond his borders and play.

Some few there must be in every age and every land of whom life claims nothing very insistently save that they write perfectly of beautiful happenings.

I finished your song, she said. Our last song. And I want to play it for you.

I never get too many problems. You can never please everyone anyway, obviously. And some people take the easy route and just play the greatest hits, and their audience is happy to hear that as well, and that's fine, but it wouldn't please me. But it doesn't trouble me.

I see artists as a great battalion moving through paint, words, music towards cosmological interpretation.

If it is permissible to write plays that are not intended to be seen, I should like to see who can prevent me from writing a book no one can read.

We hadn't sung together in six years. We realized that we'd missed each other personally and musically, so we decided to try a limited reunion tour. We wanted to work together enough to have it be a meaningful part of our lives, but not so much that it wouldn't be fun.

I consider myself a lyricist first and foremost, but if you get something else out of what I do, that's fine too. I'm not sitting back here telling people how they have to take my stuff. We just want to play music, and hope that people like it.

All children want to do is play in worlds they create and project on their external world. If allowed to do that, they are constantly building new neural structures for creating internal worlds and projecting them on their external world. And they build up an enormous self-esteem and feeling of power over the external world through their own capacities.

Why not spend that time on art: painting, sculpting, charcoal, pastel, oils? Are words or numbers more important than images? Who decides this? Does algebra move you to tears? Can plural possessives express the feelings in your heart? If you don't learn art now, you will never learn to breathe!