Aishwarya Rajesh Quotes

At that point, the movie was called Wild Force. Everything fell apart, eventually - our financing completely fell apart - and we were never able to make that film.

Yeah, there was the Flora Plum thing, where I trained for about a month and I had taken a semester off for that, and two weeks prior to filming, the financing collapsed.

I shot a movie with Nicole Kidman that I got cut out of - it was crap anyways.

We were to work in a film titled 'Zabardast'. Unfortunately, this film didn't take off. After this, I never got another chance to work with him, I regret not having worked with Dilip Kumar.

I love movies, I love being a part of them, and this is the one occupation I love living and playing in and stressing myself out over.

Like all independent movies, the first thing you're looking for is a name actor who will justify your financing.

I think we all felt it on this movie - crew and cast. You never know when you're making a movie... no one is saying in the middle of Casablanca that this is going to be a classic. The lead actors had turned it down and I think they wound up with B-list actors at the time.

I turned down a lot of films before I made my first one. I knew that it was time for me to get into movies.

I had a great time working on the movies, both the major movies I've done. I've had a great time. I like the people in Hollywood a lot.

I liked work shoes and big, working-class hands. The stars would come and go, but the crew on my movies was my extended family.

I'm never critical or judgmental about whether or not a movie is any good. The way I look at it, if several hundred people got together every day for a year or so - a number of then willing to put on heavy makeup, wear clothes that weren't their own and pretend to be people other than themselves - and their whole purpose for doing all this was to entertain me, then I'm not gonna start worrying about whether or not they did a good job. The effort alone was enough to make me happy.

To be fair, it's not even the first time I've seen a dead version of myself. There was one on Harry Potter, on the last movie, that they actually used to bring to set in a body bag.

The other thing being at UCLA was just being in California and around the movie business. Which I honestly believe, and I've told this to screenwriters, you have to do. You have to be there in order to write or direct movies.

Hollywood is responsible for some of the greatest and worst movies of all time!

I think every time a movie gets made, it's a miracle. I would love to get to a point where it became easier and it wasn't so much of a struggle to get it done or finished.

Movies are a whole different ball-game, now. It's much more of a business - very scientific.

It's very hard to get a movie made. You could spend your life reading scripts that never got made.

The upper echelon of the movie industry is easier to deal with and the work is much easier to accomplish because of this generosity of spirit and confidence that they instill in the group around them.

Blood, especially fake, and guns, this is bullshit. It works in the movie, but on set it doesn't work for me.

Euthanasia is legal in Hollywood. They just kill the film if it doesn't succeed immediately.

I very much enjoy my freedom creatively but I also would love to make one of those big Hollywood films that costs a lot of money and has a lot of people running around with cell phones and all that insanity.

Back then, all the networks were still making a movie a week, virtually. So I did five of them that year. So it was just a nonstop... '92 was a great, nonstop ride in Vancouver.

There's many more films being made in America than there are in Australia. You make four hundred and fifty films a year, we make twenty-five.

I like to produce movies and that's where I want to be.

I helped develop Disney's) special effects department at that time, which helped very much when we worked on "20000 Leagues under the Sea"