Jai Courtney Quotes

I enjoy getting dressed as a Barbie doll.

I started writing books and making clothes for my dolls when I was around 10 as a way of making my reality exciting. When I went out to play with friends, I always arranged elaborate sets and costumes.

I was writing songs as a kid about leprechauns and Catwoman and teapots - whatever it is that little girls wanna sing about.

I pointed at the little kids goading each other to jump from rib cage to shoulder and Gus answered just loud enough for me to hear over the din, 'Last time, I imagined myself as the kid. This time, the skeleton.

When you're a kid you're already trying to create your own world and organize the one in front of you, but then you get all insecure around 6th grade and don't think you have a right to share that. I think it was my mom's attitude about art and being part of the narcissistic digital generation or whatever that made me think anyone would care what I had to say about anything!

When I was a kid, I was obsessed with different planets in the solar system, and I used to create, for every single planet, a different alien race with a certain kind of pet, a certain kind of house, a certain kind of water system, and everything.

I was very dramatic as a kid. I loved to entertain. I was taking my bathing suits and painting them black and putting sparkles on them because I thought I was going to be on stage.

In a way, you normalize your own childhood to yourself, so I never thought about how much I wrote as a kid. So I was there, confronted with it - so many notebooks, so many tiny plays. Every week we put on a play. We had a big futon, so my sister and I would use the futon as our stage, and I wrote little skits and made her faint because I found it so funny.

With acting, I started as a kid and it was my safe space and the place where I felt the most free to be all of myself. What gets explored in our show is where that instinct starts and where it meets with career, and how that can change your path a bit.

I think most cartoonists are solitary, lonely kids who use their work as a way to try to connect with the world. If I had any other skills that were more performative - if I could have been a musician or an actor - I'm sure I would have pursued that instead in order to get that instant feedback and to hear applause.

When I was nine, I asked my Dad, ‘Can I have your movie camera? That old, wind-up 8-millimeter movie camera that’s in your drawer?’ And he goes, ‘Sure, take it.’ And I took it, and I started making movies with it, and I started being as creative as I could, and never once in my life did my parents ever say, ’ What you’re doing is a waste of time.’ Never….. I know there are kids out there that don’t have that support system. So, if you’re out there and you’re listening, listen to me: If you wanna be creative, get out there and do it. It’s not a waste of time.

I was a very violent kid. I think movies and writing and art have been a way of channeling this. But I have will to defend people - it can be all sorts of people.

From when I was a kid I wanted to write. It was so important to me that I was writing my own material.

I love everything. I love being the empathetic characters. I love being the villains. I think it's like when we're kids, we like to play all kinds of crazy characters and dress up.

What I became a comedian for was to get my art out. To get some of these feelings and things I had on my chest out. I don't care if people believe them, listen to them, change their ways, or think, or any of that kind of crap. I'm interested in showing off. I'm the same kid from sixth grade who stood up and said "watch this."

My first experiences with fashion were dressing up. It was always about fantasy for me. Dressing up as characters . . . I always thought that's what clothes were - that they would make you into the person you wanted to be. I'm an actress, so I love to act, and I think that's one of the most important things - the thing that makes you feel like another person.

When I was a kid I had an imaginary friend and I used to think that he went everywhere with me, and that I could talk to him and that he could hear me, and that he could grant me wishes and stuff. And then I grew up, and I stopped going to church.

I always composed music as a little kid.

I used to go outside every day and invent these elaborate worlds and scenarios in my head, and when I grew too old for playing pretend, I started to write everything down instead.

There's a drive in us to express ourselves in some way or form. We pick up whatever material is available. It's primitive. Kids see sand on the beach, build something and show their parents: "Look what I did, Mama." It's necessary to us.

The poetry when I was a kid felt like something that I could control, and whether it failed or not, whether it was good or not, was totally on me and I could accept that. It was entirely mine.

I have more fun playing Hannah, because I like to sing and dress up.

Writing has always been my go-to form of expression. Whenever I was going through something as a kid, I would write it down and I would turn it into a poem.

When I was very small, I had that first-time-you-see-a-play experience, which immediately made me want to act, because it seemed like this incredible outlet for something I was already doing fairly compulsively anyway, which was putting on hats and costumes and doing funny voices. It was a very natural compulsion for me.

I was always really shy. That's why being in front of cameras like this is uncomfortable. I found that when I was a kid, I would hide behind playing pretend. That's when I would come out of my shell. I would dress up as an old man or something and go out onto the street with my mom. I would come out of my shell that way. So I ended up stumbling into acting. It was the one thing that I found a passion for.