Charles Stross Quotes

I've been reading reviews of my stories for twenty-five years, and can't remember a single useful point in any of them, or the slightest good advice. The only reviewer who ever made an impression on me was Skabichevsky, who prophesied that I would die drunk in the bottom of a ditch.

To retire by the age of 35 was my goal. I wasn't sure how I was going to get there though. I knew I would end up owning my own business someday, so I figured my challenge was to learn as much as anyone about all businesses. I believed that every job I took was really me getting paid to learn about a new industry. I spent as much time as I could, learning and reading everything about business I could get my hands on. I used to go into the library for hours and hours reading business books and magazines.

I do feel that I'm talking to someone who's in a totally different place from where I was when I started modeling. I was fortunate enough to have the wonderful designers and amazing photographers around me, and editors that I knew, and if I wanted to ask a question, I asked them. So that gap has broadened a bit.

I have a secret goal with my editor - he has asthma and uses his inhaler, and after I send him a new manuscript, I'll have his assistant phone me and tell me how many times he had to get his inhaler out while reading a draft. It's my secret laugh meter.

Never feel guilty about reading, it's what you do to do your job.

I've recommended girls for jobs that I had a different part in, and agents have been like, "No, don't ..."It's so surprising to me.

Sometimes I feel that a more rational explanation for all that has happened during my lifetime is that I am still only thirteen years old, reading Jules Verne or H. G. Wells, and have fallen asleep.

My job is about the most fun thing I do, but I have a broad set of interests, going places, reading things, doing things.

I'm sure we would not have had men on the Moon if it had not been for Wells and Verne and the people who write about this and made people think about it. I'm rather proud of the fact that I know several astronauts who became astronauts through reading my books.

I like reading for things. I've shown up for jobs before where I haven't read for them, and there's something kind of intimidating about that - where the first words they'll hear from me are when they call "action." There's something about actually going in and earning a part and going, like, "Okay, they really liked what I did, and so I'm on the right track."

I don't remember reading much at all during the writing of Eileen. I go through several years-long dry spells and I don't feel like reading at all. I was working part-time for a guy in Venice, California while I drafted Eileen. He wanted help in writing his memoir. The research had a lot to do with the 60s, so that must have informed my sense of the place and time in my novel, and perhaps even the memoir point-of-view. He was also from New England. It was a fun job. I learned a lot about motorcycle clubs, Charles Manson, hopping freight trains.

Directing is such alchemy, it's so easy to fail. And I've seen people who are great at their jobs because everybody has a go. Editors, DPs, actors, craft services guy, everybody wants to try it out but it is such a diffuse but necessary set of skills that you never know which one this person might lack.

I changed my mind," he said. "I'll take you up on helping me get a job." I almost swerved into oncoming traffic.

It's hard to get money to support your [non-profit] organization if you have no evidence. It's very much like the acting business: You need an agent and manager so you can get a job to get resources, but you can't get an agent and a manager unless people see your work.

I did worry about being in a science-fiction show. The bits that I was reading, I felt were funny, and I felt the man was childish, so I really did ask initially, "Is this for kids?" And the thing that came back immediately was like, "Hey, take a look at this whole thing again. This is definitely not for children. How can you think that?"

I think anything that opens my mind and triggers my imagination I'm reading. I like to read science fiction and imagine the character. Anything that keeps my imagination flowing.

Reading with an eye towards metaphor allows us to become the person we’re reading about, while reading about them. That’s why there is symbols in books and why your English teacher deserves your attention. Ultimately, it doesn’t matter if the author intended the symbol to be there because the job of reading is not to understand the author’s intent. The job of reading is to use stories as a way into seeing other people as a we ourselves.

The job of reading is to use stories as a way into seeing other people as we see ourselves

As an actor, it's a relatively passive job unless you're generating your own content or writing your own content. So to a certain degree you're at the mercy of what is available, what you're reading, what you become passionate about, and ultimately, what people want to hire you for.

I tend not to read or watch Science Fiction, particularly not comedy Science Fiction. The point is that if it's less good than what I do, there's no point in reading it, if it's better than what I do it makes me depressed

I don't have a publisher yet, so I'm not in the process of that next stage and I don't know what that's going to look like. So I feel like I finished stage one [with my book].

My father was a writer, so I grew up writing and reading and I was really encouraged by him. I had some sort of gift and when it came time to try to find a publisher I had a little bit of an "in" because I had his agent I could turn to, to at least read my initial offerings when I was about 20. But the only problem was that they were just awful, they were just terrible stories and my agent, who ended up being my agent, was very, very sweet about it, but it took about four years until I actually had something worth trying to sell.

I never need to find time to read. When people say to me, ‘Oh, yeah, I love reading. I would love to read, but I just don’t have time,’ I’m thinking, ‘How can you not have time?’ I read when I’m drying my hair. I read in the bath. I read when I’m sitting in the bathroom. Pretty much anywhere I can do the job one-handed, I read.

The useless days will add up to something. The shitty waitressing jobs. The hours writing in your journal. The long meandering walks. The hours reading poetry and story collections and novels and dead people’s diaries and wondering about sex and God and whether you should shave under your arms or not. These things are your becoming.

Books are a time machine.