Emma Watson Quotes

I would love to do Shakespeare, either onstage or on film.

I'm a musician - music will never go away - but my focus is acting, and I started late so I have to play catch-up. So that means I have to work twice as hard in this game. But it will never stop, I think I always feel I have to work twice as hard.

My father had a lot to do with me thinking about acting, though he never saw me act. He passed away probably - he passed away as I was doing my first play, but I just think being exposed to it and being around it. It wasn't something that I ever thought I couldn't do because I grew up around it.

Well, I can’t help going to see Sibyl play, even if it is only for an act. I get hungry for her presence; and when I think of the wonderful soul that is hidden away in that little ivory body, I am filled with awe." "You can dine with me to-night, Dorian, can’t you?" He shook his head. "To night she is Imogen," he answered, "and tomorrow night she will be Juliet." "When is she Sibyl Vane?" "Never." "I congratulate you.

I would love to do Broadway. I dont think theres anything more amazing than theater. OK, Supergirl is number one. Maybe I could be Supergirl on Broadway That would be perfect.

Shakespeare is one of the reasons I've stayed an actor. Sometimes I spend full days doing Shakespeare by myself, just for the joy of reading it, saying those words... I do Shakespeare when I am feeling a certain way.

I think if you're doing a play, you're rehearsing enough that you get to a point where it's freeing again. But in a movie, if you rehearse too much, now you've just shown everybody what you're going to do. And any element of surprise or impulsiveness is taken away.

I think American actors are much more intimidated by Shakespeare. I actually want to do this Shakespeare play in New York, but I think it's interesting that there's this gaping hole in the repertoire in the American theater, which is Shakespeare. It's hardly ever done, compared to how often it's done in other companies, not just Britain. Someone from the Roundabout Theater Company - I said, "You never do Shakespeare." And he said, "Yes, we're not very good at it." And I thought, "What a terrible thing to say.".

I think it's just growth, and development, timing. I've been fortunate to be around for a long time. Allowed me to get better as an actor. Allowed me to play better roles.

I know it sounds very typical to say, but the best part of being an actor, and the reason why I think a lot of actors do it, is that it's always changing. You get to play so many things that it's like you've had so many different careers.

I had been in a Shakespeare company for three years and done a lot of Shakespeare. That was fun. That was interesting. It was a lot of work - anything other than Shakespeare was less work. I had a lot of interesting roles, but I don't point to them and say, "That was more interesting than that," because I don't know what the criteria are.

Being a theater actor, I've done a lot of plays where I've seen someone else play the same role in another production. Especially with the classics: Shakespeare, Tennessee Williams.

I've decided to just keep doing Oh, Hello, where I play an older man who thinks he's very cultured. That clearly has not gone away.

I don't even want to think of myself as an actor because it's such an insecure place to go.

I think the most fun I ever had was playing King Arthur in Spamalot on the West End.

I certainly play people on the edge quite a lot. I am interested in what makes people odd and what makes them different. In life I try to play the edges. I have a horror of the herd. There are many, many different sorts of people. A lot of people are fairly uninteresting. I want to play the interesting ones. The villains are always more interesting to portray. Shakespeare knew that.

I do think there's a smaller audience that's looking for something that's a little more adult and a little more nuanced [than many Hollywood movies]. At the same time, I think everyone who's making movies hopes to appeal to the widest audience possible.

I felt it [Shakespeare's Coriolanus] is sort of an examination of our dysfunction as a nationalistic, tribal entities. I think the world is rocking and cracking open in weird and worrying places. And I think Coriolanus, the play, reflected that.

I always loved acting, but it's weird to think what I'd be doing if this hadn't come around. It's kind of a bit of a fluke how I got into it, so I'm grateful.

My oldest brother used to take me to the theater. The first play he took me to see was 'Black Comedy,' then he took me to see 'Butley.' We'd see all these British plays. And 'Hello, Dolly,' with Pearl Bailey. I was unconsciously thinking, 'Gee, I would love to be able to do that.'

I think that I burnt myself out a little bit with my dancing because I did so much of it. I was exhausted so thought that I would try a different kind of performance and expression and acting seemed like a close fit; it was similar in some ways to dancing. My mum showed me some really good films and so I became interested in films and acting.

I tend to play mostly villains and twisted people. Unsavory guys. I think it's my face, the way I look.

After I left Yale, we were all doing these mad plays off - off Broadway. And I got back to that feeling I had from college, of everyone making up in front of one cracked mirror, which is what I loved - the scrappy theater idea. I think off-off Broadway healed me, made me an actor again, and I was in so many different crazy shows.

I was always acting. I was doing after-school plays and stuff like that. But I wasn't doing well in any of the schools, so by ninth or tenth grade, I ended up going to a boarding school.

Acting was always a part and faucet of my life. It just comes very natural. I think it's a good thing.