Lauren Mayberry Quotes

Along with a lot of other things, becoming a Bob Dylan fan made me a writer. I was never interested in figuring out what the songs meant. I was interested in figuring out my response to them, and other people's responses. I wanted to get closer to the music than I could by listening to it - I wanted to get inside of it, behind it, and writing about it through it, inside of it, behind it, was my way of doing that.

The best thing you can do for a song is to hear it on the radio and to imagine what it could mean to you and then kinda forget the words. Just imagine how you felt when you heard it, if it was one of your songs. If it became one of your songs. If it meant whatever it meant for you and as soon as you see the visual, you get a rapid eye movement relationship with the song instead of an imaginative one. I think that can be dangerous because I don't think I'd want to be listening to a song on the radio and thinking about the video. Whatever that one interpretation was

People get out of music what they want to get out of it, and all I try to do is do the same thing.

It's hard for me to always explain my songs, and people always expect a meaning and to know what it's about. Sometimes when I write these songs I'm feeling a particular emotion, so to then come back and explain what I was feeling or put it into words is quite difficult.

That's my favorite part about songwriting, the way you write a song, and someone else might hear it a different way.

All I really want is for people to really get what I do and connect with the songs and find meaning in them.

People should be free to take whatever they want from music and I think that over time I realized that different people always find different things in my songs, which is really good.

Once they're on paper, they're gone. I like to do as much with the words, as far as image goes, so that it's really left open for a lot of things, even though I remember a specific impression of something I had at the time. I can't say a song is about this or that; in fact, I wouldn't even want to. I just prefer to have people live it anyway they want. Because it's theirs after that. There's nothing I can do about it anymore

Anything that happens after I write a song...that's fine with me. It's up to the listener to read into it what they need from it. And that's part of the reason I write like I do, so I can leave the holes in the right places so people can say, 'Yeah, that happened to me,' and they're able to have their own little fantasy about it.

Even at the time, I realised this couldn't be right, that this interpretation didn't fit with the rest of the lyrics. But that wasn't an issue with me. The song was about what I said, and I used to listen to it again and again, on my own, whenever I got the chance.

Those of us who make films try to make something that we're feeling and that we would like. Then we just hope an audience responds the same way. It's very important to have the electrical circuit made, but I don't have control over how people feel when they flip the switch. So the whole idea of marketing research and test screenings is just foreign to me.

Other people singing my songs is something that I've never been casual about. I've always been very touched by it and I always go into immediate critical suspension.

I consider myself a lyricist first and foremost, but if you get something else out of what I do, that's fine too. I'm not sitting back here telling people how they have to take my stuff. We just want to play music, and hope that people like it.

I like working with sound; sound and rhythm. I like the abstract more than "What does that mean?" Nobody ever says to you, "Why did you use a harmonium?" Or "What is that ringing sound that occurs here?" The questions are always "What does that song mean?" or "What were you trying to say here?"

The simple fact was that if the song wasn't about me, I couldn't see how it could possibly be about anybody else, including the one I knew it was supposed to be about, and good luck to him, too.

I feel like people, when it comes to music, whatever genre, they relate to the story more than just the song.

I don't want to tell what the songs are about for me, because then people can't decide for themselves, which is why I write; it's for you to find your own meaning in. For me it's my story, for someone else it's theirs; if I tell exactly what it means, then it's only my story.

I really don't know what exactly all the songs mean. Sometimes other people have meanings and when I hear them I think, 'That's really a better meaning than I thought, and perfectly valid, given the words that exist.' So part of what makes a song really good is that people take in different meanings, and they apply them, and they might be more powerful than the ones I'm thinking.

I believe honesty comes across in music because for [most] people music isn't just something to dance to.

People who understand music hear sounds that no one else makes when Frank Sinatra sings.

I've been really fortunate where I've made stuff that connects to people on a positive level, and that makes me feel really good, but I can't feel comfortable in dictating what they're supposed to feel out of it, nor am I a professional in something where I can really help people any farther than creating the things that I make to help myself.

My album to me is something, but anyone who buys it, it's whatever it is to them. I don't like telling people what specifics are of the record, because that could ruin it as an experience for someone else.

I love stories. When I tell a story, I try to think of people sitting around a crackling campfire.

So if somebody writes a song that appears to have some meaning then everybody thinks that it's a really heavy song.

Music has always carried me through times of loneliness. So when I make music, I like it to make people who listen to it feel like they have a friend who reveals something personal to them, rather than trying to be like a god up on a pedestal