M. C. Escher Quotes

New Jersey is to New York what Santo Domingo is to the United States. I always felt that those two landscapes, not only just the landscapes themselves but their relationships to what we would call 'a center' or 'the center of the universe,' has in some ways defined my artistic and critical vision.

Everything I've done hasn't worked out - you know, some things aren't as great as others - but I'm having so much fun, who cares? Isn't that what an artist is supposed to do? We're trying to change the world. Otherwise, why be an artist? You want to shake people up and make 'em think.

To be an artist is to believe in life.

Do you ever wonder if what you look at is the same thing everyone else is seeing?' He went even stiller at her side. 'Sometimes I'm sure it isn't the same...but that's not so bad is it? Seeing the world in a different way?' Creative vision creates art' he motioned around the gallery 'that shows the rest of the world a new angle. That's a beautiful thing.

The photograph should be more interesting or more beautiful than what was photographed

Let me stop there, but my God, how beautiful Shakespeare is, who else is as mysterious as he is; his language and method are like a brush trembling with excitement and ecstasy. But one must learn to read, just as one must learn to see and learn to live.

There is a field where all wonderful perfections of microscope and telescope fail, all exquisite niceties of weights and measures, as well as that which is behind them, the keen and driving power of the mind. No facts however indubitably detected, no effort of reason however magnificently maintained, can prove that Bach's music is beautiful.

The musician of the present day, not being able to give us what is beautiful, torments himself to give us what is new.

Beautiful tunes are all very good and fine, and great musicians are always great, but that alone isn't enough.

I think didactic art is boring. I mean, I love it in terms of, like, some of the historical precedents that I've learned from. You needed that. We needed those building blocks in terms of - you know, when I look at a great Barbara Kruger, for example, and you're thinking about, you know, the woman's position in society - you know, she found a way of making it beautiful, but at the same time it's very sort of preachy, you know what I mean?

In the art world Robert Rauschenberg had been combining common materials that people thought was art and beautiful, and it was. If he could do that, I could emulate him.

Sometimes the characters that I'm most resistant to are the ones that I find the most satisfying to play, because you have to dig deeper and you have to find different parts of yourself that are not necessarily the first thing you access and that's fun and interesting.

In 1980, a well-meaning fundraiser came to see me and said, "Miss Graham, the most powerful thing you have going for you to raise money is your respectability." I wanted to spit. Respectable! Show me any artist who wants to be respectable.

The artist is the creator of beautiful things. To reveal art and conceal the artist is art's aim.

It's never fun when we're in the midst of the storm. But when we land someplace we know we never could have found on our own, it is a beautiful thing.

The beautiful, which is perhaps inseparable from art, is not after all tied to the subject, but to the pictorial representation. In this way and in no other does art overcome the ugly without avoiding it.

Every thought which enters the mind, every word we utter, every deed we perform, makes its impression upon the inmost fiber of our being and the result of these impressions is our character. The study of books, of music, or of the fine arts is not essential to a lofty character. It rests with the worker whether a rude piece of marble shall be squared into a horse-block or carved into an Apollo, a Psyche, or a Venus di Milo. It is yours, if you choose, to develop a spiritual form more beautiful than any of these, instinct with immortal life, refulgent with all the glory of character.

Artists can no more speak about their work, than plants can speak about horticulture.

The next song I wrote in Paris years ago in a dream. So I didn't really write it, the universe wrote it. And that's what I believe about music, I believe it belongs to the universe, it comes from there and it's this beautiful energy that we share that transcends normal flash existence and that we inspire each other through.

Set designers, costume designers, actors, writers, music, that's what is beautiful.

A good education would be devoted to encouraging and refining the love of the beautiful, but a pathologically misguided moralism instead turns such longing into a sin against the high goal of making everyone feel good, of overcoming nature in the name of equality. ... Love of the beautiful may be the last and finest sacrifice to radical egalitarianism.

I never think of this business as fun. I don't know why. I think I've actually said something about it being fun, but I don't think of it that way. It's not fun, doing it. It's joyful, it's passionate, it's rewarding, it's a pursuit of truth, but I don't think of it as fun. It's not a game.

Why do beautiful songs make you sad?' 'Because they aren't true.' 'Never?' 'Nothing is beautiful and true.

Electric light is just another instrument. I have no desire to contrive fantasies mediumistically or sociologically over it or beyond it.

The man who speaks and writes about art should refrain from censuring or pontificating. He will thus avoid doing anything foolish, for in the presence of primordial depth all art is but dream and nature.