Megan Park Quotes

I've been to acting coaches and everything, but they had to open me up and all that, so now I'm getting better with it.

The last person to teach me how to act was my A-level Theatre Studies teacher at school, which I literally still draw on. Got an A!

You can be in an acting class all you want, but you don't fully learn until you get off that stage and in front of a camera.

As for acting, I took drama lessons when I was in high school.

Then I heard this genius teacher Stella Adler - I recommend you read anything you might find about her and if you have anyone interested in theatre, you get them one of her books.

I have been taking classes and I'm familiar with stage, but I'm not as familiar with acting on camera.

I thought acting was all about natural instinct but I've realised, through working with so many talented actors on 'Wild Swans' and 'Run,' that I can see the training. That's why I am back at drama school.

To be honest, I never went to school for acting, and I never learned to break down a script. I took acting classes my whole life, but they never taught me anything about acting. They just taught me about myself.

I am learning the grammar of acting on the sets. And I am happy that way.

Naseer Sir taught me while I was a student at the Film and Television Institute of India. Anything I know about acting is thanks to him.

I was trained by Method acting teachers and we were taught that aside from whatever gift you may or may not have or the level of that gift, that you were obliged to know how to build a table. It's a craft. It's like being a ballerina or a violinist.

I think in any form of acting, you're always well served if you've done theater.

I started going to acting school in my senior year in high school, and I remained in acting school through four years of college.

I have had a lot of training as an actor, but it's very different than being on set.

I find acting conservatories really important. I've gone to four different ones, and all of them provided totally different tools for me.

I had an acting coach while I was doing the show and every week I could see my work improving. I really liked working on the show because I was learning new things every day.

'Hollyoaks' is where I learnt a lot of the craft, being in front of a camera six days a week. That's certainly an experience you don't get in drama school. It invites you to be comfortable in front of the camera.

I started writing plays in around 1967, and at a certain point, I thought, 'I'm writing plays, I should learn about acting and what it is.' So I went to the HB Studio in New York, and I was there for about nine months.

I think the education I've had as an actor I would never have had at university.

The best way to study to be an actor is to interact genuinely with the people around you and observe and listen.

I went to acting school in New York City for two years. I studied with Stella Adler.

There was only one elective at my college for acting, but thank God for that elective because we had a great teacher who introduced me to the Meisner technique for acting. Once I read that book, I said, 'Wow, if I could do that and have that honest moment on stage, that would be amazing.'

I trained as a stage actor and was given a lot of technical tools to play with.

I really think that studying theater early on really helped me to be able to identify how to get into a character, because it's such a mysterious thing. Learning objective acting in the beginning of my career was the best thing I could have ever done.

I've not taken like acting lessons or anything but it doesn't mean I don't need to because I'm sure I do.