Charlotte Bronte Quotes

I don't think there are any rules in real face-to-face relationships or interactions. I think authenticity and being yourself is always, without a doubt, the best plan of action. Things happen differently when you're actually here, so you can't put out a general guideline that's gonna show up in text and be interpreted. There are no rules. Just be yourself.

I think one of the highest compliments you can give a person is that when you are talking to him, you are not thinking about the fact that you are talking to him. That is, your thoughts and words all exist on a single, engaged level. You are being yourself because you aren't bothering to think about who you should be. It is like when you talk in a dream.

I love the feeling that you get when you can really laugh with a man and be natural and not always think that there's a sexual element going on. For me, flirting with a man means making fun of myself and trying to open myself and be very unpretentious.

I am not good at first or second impressions, and you have to spend some time with me to know me. Also, I don't want to put my best foot forward and prove something, as that is not me. I would rather be me and have you like me for who I am, instead of being someone else.

I like meeting people on a genuine level. Like, 'OK, if this person wants to meet me and I want to meet them, let's do it.' I don't like forcing things.

We do not think of life - we live it. We do not think of ourselves too much. We do not think of others too much... We just behave in a natural way.

I think that I'm pretty much who you see onscreen. Are there times when I ask questions of people and have a sense of what their answer may be? Sure. I think that you can't deny that. But you still want to hear from that person, even though you may anticipate what they may say. I am as natural right now as I am when I talk to somebody in the Middle East. It's just trying to be a real person to them. So long as I can be as honest with myself when I make a movie like that, I can continue to be honest with you.

I can't act. I simply must be myself, do the things that seem natural to me. When I get with a director who wants me to act, I'll be lost.

It's just that I don't want to be somebody's crush. If somebody likes me, I want them to like the real me, not what they think I am. And I don't want them to carry it around inside. I want them to show me, so I can feel it too.

For me to act natural and real but also try to be funny while doing that is hard.

When you are just you, without thinking or trying to say something special, just saying what is on your mind and how you feel, then there is naturally self-respect.

I think that the best way you can get honesty across in your music to connect and relate to people is to be motivated by personal emotions, stories and feelings.

I came upon whatever I'm doing organically. I didn't study anything. I don't have any real aspirations other than to connect with somebody, and to have the conversation be genuine. That's the best that can happen. Even if it only happens for 10 minutes in an episode. But I think what people forget is that you don't have to try to get a comedian to be funny. Comedians are innately funny. That the real challenge of talking to them is to get them talking about real things and then see where they need to be funny. And let them do that on their own volition.

I heard this wonderful quote - "Only the brave show what they love." It's so-embarrassing to approach somebody and say you want to look at them. But without that risk taking, nothing can happen, so I have to make myself vulnerable. What I think is the unifying aspect in people that I like is that they have a sense of their own vulnerability, and I respond to that.

The things that are more my own style are something that I don't really have to think about. The only time I have to think about them is if I want to force myself not to do it the way I do it.

It’s good to be vulnerable in amongst the grandeur; you shouldn’t lose that sense of intimacy and vulnerability with people.

It's always best not to be thinking a hell of a lot while you're acting, because you want it to be as spontaneous as possible, not too intellectual. Just behaving and listening to other people who you're doing scenes with. I always like the latter when it looks easy, even though it may not be.

What appealed to me was the intimacy of the medium, the fact that I was doing it from my home, and the fact that I wanted to talk. I was not there to plug things. I don't do a hell of a lot of research. I go on a sort of kindred-spirit bonding that preexists the interview, and just see what unfolds.

I really just enjoy listening to talk [to John Hurt and Charlotte Rampling]... not even about acting or anything. It's interesting because I felt really connected to all these people very easily. They're all very open emotionally, like we're in the scene together, so you never feel like anyone's acting.

You can't plan to reach another person on a deep level, it just happens. So those are the moments that I think I really live for.

I don't want to work with anyone who has not sat down with me and has gotten to know me. I don't want you writing for who you think Jennifer is or the public persona of because that's not who I am. It's my shell, it's the brand, it's the celebrity, but it's not the person.

We neither of us perform to strangers.

Just keep doing 'you', and being who you are and doing what feels natural to you.

I think everything happens as it's supposed to. I don't want to force anything. I want it to be so authentic that it's seamless.

I think whatever comes natural is probably the truth, and the truth is the strongest form of anything - whether serious or funny.