Kirsten Dunst Quotes

I loved working with Ed Zwick.

I worked with Cameron Crowe, and I'd love to work with him again.

I would amputate my toes to work with Lars von Trier again.

Quentin Tarantino asked me to work with him but there is no way I am going to do that while Matthew Vaughn is working in film.

One, I had never worked with John Woo before and I wanted to see what that was like, and two, Ben Affleck is a friend, so it would be fun to work with him again.

I would like to work with Todd Phillips of 'The Hangover'. I would like to do more comedies; it would be a lot of fun. No actors in particular. I don't consciously seek out things to do.

Working with people, the musical part is one thing but the personal part is totally different and just as critical. If the friendship is there and it's a lasting friendship, then it will take care of itself.

This was all very new to me and I did not want to ruin his film! So we worked hard on that basis of confidence that is needed to collaborate comfortably.

Larry Kasdan has made some of my favorite movies of all time so just to be working with him was a pleasure. Now that I have, I not only respect his work but I just love and respect him as a person.

When I was asked to write an article about what it was like to work with my husband on a TV show, I assumed it was because people thought it would be titillating. He's a creator/writer/producer, I'm an actress; there must be lots of gossip, in-fighting, maybe some crazy-sexy time on the set, right? Actually, it's pretty tame.

I think every time you work with another collaborator, there's an adjustment process where you figure out the other person's strengths, and that has definitely happened for me.

'The Homesman' is my third collaboration with Tommy Lee Jones as director, and each time, I am aware of how fortunate I am.

I'd work with Danny Boyle every day of the week. No matter what he was doing I would do that.

You work enough with someone and you develop a shorthand. You know how he likes to work through the day and he knows where you're vulnerable and where your weaknesses and strengths are, so it makes for a good team, a team that knows who's over there behind your back.

I have a really good relationship with Focus Features; we had a wonderful time working together on 'Sin Nombre.'

For 'Vicky Cristina Barcelona,' for example, Woody Allen is one of the greatest American directors, and we really had a very good working relationship. We understand each other really well. He gave me one of the best opportunities somebody has ever given me in my career.

In my experience it's not essential to get on with the person that you're acting opposite.

Each director maintains a different personality. Either you get along, or you don't.

I worked with Mike Nichols. First time I worked with Mike Nichols, I just really loved this man.

I've been in this business a long time, and I've worked with a lot of different directors now. It's cool to get the chance to work with the same guy several times.

I just loved working with George Benson, whom I very much enjoy musically and as a person.

I really enjoyed working with Guy Ritchie. One, it gave me a career, and two, they're probably a couple of the best films I've ever done.

I love working with Bob Zemeckis. I think he's amazing and wonderful to work with.

F. Gary Gray, I think, is one of the best directors I've ever worked with in my life, and I'd love to work with him again.

I care a lot about who I'm working with as directors and other actors.