Greg Sestero Quotes

The cool thing about working and meeting a lot of people through your acting is that you never know who you might work with, in the future.

I'm always fascinated by the 'who would you like to work with' question. I've never really had an answer; it only really comes as you work with them.

I mean, it's amazing that I get to meet all these people. I've learned so much from all of them. I just worked with Sofia Coppola and that was amazing. I learned so much from her. I can't even describe how much fun I had.

In the film business, when you're young, you just want to work. But when you're older, it has more to do with who's involved with the project - who you're going to get in the boat with.

But I'm always trying to plan ahead too and in doing so, and in working on this album, I've met a lot people that I hope to be involved with, on their records and in their situations.

I would love to just keep working with really great directors who really inspire me.

I'm honored to be asked by Stephanie Allain - whom I've long admired - to add to the scope of my programming purview at Film Independent. I salute David Ansen for his work with the festival and look forward to continuing to follow his example.

Um, I think every role, whether in TV or film, has a part in building a career and relationships.

All of the directors I've worked with I have loved and would work with again. I have no favorites.

I've always surrounded myself with talented people, both in film and in business.

I get to meet different directors and different people.

I would love to work with someone like Kevin Spacey as he could pass on what I need to learn.

Colleagues are a wonderful thing - but mentors, that's where the real work gets done.

I was fortunate enough to work under directors who were, most of them, brilliant, emotional men.

Alan is a great guy, a terrific guy. We haven't worked together since then, and he's always working with different artists. I think he sees different dimensions he can see from different guys.

But, I think it's great to be able to work with established directors, and then also first-timers. I feel like you learn from both of them, but then you can go and share your knowledge with each of them. That's really fantastic!

I've said this before, but after 'That '70s Show' ended, I solely wanted do films that inspire me, and to work with people who make me better. I wanted to just surround myself with people who I think are better than I am, whether they're actors or directors or producers, so that I could learn from them.

I've been really lucky because I've managed to become wonderful friends with a handful of very talented British designers. Christopher Kane has become one of my very good friends - also Erdem. Jonathan Saunders is another brilliant talent who's very kind. We all hang out.

I find that working with friends is always the goal, even if it's just one person. Because the comedy community is kind of insular, it's easy to run into people you've worked with, even if you worked with someone on something for a day, or whatever.

One thing I have throughout my career, it felt like I did my best to align myself with quality artists, quality work, and it is a situation of steel sharpening steel.

That's one of the benefits of working with a smaller network like IFC. You're awarded more trust, but trust that I really earned.

All the filmmakers I've worked with have taken my desire to educate myself very seriously.

I'd never be where I am if more successful writers hadn't taken an interest in me and done me a good turn - be it chiming in with constructive criticism or giving me sound advice about my career plan.

It was a great learning experience to work with James Stewart.

I just worked with Sofia Coppola and that was amazing. I learned so much from her. I can't even describe how much fun I had.