Bree Turner Quotes

I was going out for absolutely everything that was in Backstage.

I really love diving in, head first, with directing and not having to worry about hair, makeup or lines.

I think a playwright realizes after he finishes working on the script that this is only the beginning. What will happen when it moves into three dimensions?

I should write a musical. That is probably one of the final areas that I should pay attention to, because it does kind of involve everything. It's got theatre, it's got young, pretty people... And it's got money!

I wanna work; I love so much making films; I hope I can do one after the other. Being on set is what makes me happy, so... The more I can, the better.

I love the entire process of being on the set and being able to create a character. It's so much fun. In 'Think Like a Man,' I have a very small part. They told me it wasn't a big budget, but I don't care about any of that. I'll do it for free simply because I love being on the set with other creative people.

'The Dance Scene' is basically the most amazing dance show in the world, and it follows me as a creative director. You see how I maintain that creativity.

The drama may be called that part of theatrical art which lends itself most readily to intellectual discussion: what is left is theater.

Most of my life, I've been on a film set. There isn't anything to learn, not learn, unlearn. It's just in me.

What I love most is the art, is making art, acting and being on set, and being a part of the process of making a movie.

I spent a lot of time on film sets with my dad at work, and as a kid, that's a very appealing thing, to watch grownups get to play dress-up and pretend that they're different people - and then get paid for it!

I've always been fascinated with everything behind the camera and in front.

I love Janet Jackson and her creative set design.

The idea of directing my own movie is definitely more challenging than choreography.

Theater originated with technology. People forget that.

When I became a choreographer, I was not assisting any choreographer. I was assisting the director Mansoor Ali Khan for 'Jo Jeeta Wohi Sikandar.' I was the fourth assistant director.

Three years at the institute had not taught me as much as two weeks on the sets of 'Susman.'

What normally we see is the finished product, someone's performance on screen, but behind the scenes, a lot goes into it.

I worked as a belly dancer at a Greek restaurant senior year in high school.

As an artist, all I want is to be a part of good films.

Acting was not on my radar ever, but after shooting my first film, I have realised that this is my calling.

I always wanted to be a performer.

Musicals look beautiful and great and fun, but man, when you're getting into it, you got to be on top of it.

The physicality of a production needs evolution and breath.

'Oh, Calcutta,' was one of the healthiest shows I've ever been in.