Mary-Kate Olsen Quotes

And 'Sex & Drugs & Rock & Roll' was a very transitional film for me in that I was one of the producers and you know, came up with the idea with the writer and the producer, as well. But, it was a very collaborative event. You know, I really love working in that way.

Eventually one day I want to direct, but as of right now my next cap that I'm looking for is the producer cap.

There is a healthy fraternal rivalry, but nothing serious and we both have been looking for a project to do together. I guess he may direct me in a project some day.

I had such a good time working with John Woo and John Travolta, and it was so professional. I want to work with people who are real professionals.

In fact, 95% of the people in my films have been nothing less than a pleasure to work with.

'The Homesman' is my third collaboration with Tommy Lee Jones as director, and each time, I am aware of how fortunate I am.

Movies are a team sport now, and I want to play singles.

I just worked with Sofia Coppola and that was amazing. I learned so much from her. I can't even describe how much fun I had.

I have a really good relationship with Focus Features; we had a wonderful time working together on 'Sin Nombre.'

'North by Northwest' took two and a half to three months to film. When I look back, I realise I wasn't intimidated by Hitchcock and Cary Grant. They were so accepting of me.

I share a very good rapport with Shah Rukh, so I was at ease working with him, and Imtiaz is a dream director for any actor.

To work with the same director is a great feeling.

I loved working with Ed Zwick.

I'm re-teaming with the producers of 'Twilight,' whom I love and who I have an amazing relationship with.

I really want to work with Mike Leigh.

Mom' is my third film with my wife and there's a definite comfort level.

I like working with writer-directors because you can solve problems right there.

We have a partnership deal with New Line Records, which is part of New Line Cinema, and... I worked on that.

I knew Billy Wilder socially and would have loved to work with him.

He wasn't directing it, of course, so I didn't work with Hitchcock.

The most important thing for Quentin and the most important thing for me is to make the best film possible.

Filmmaking has always involved pairs: a director coupled with a producer, a director alongside an editor... The notion of couples is not foreign to cinema.

It's not just about acting. I love film, I'm a director now, I love writing, I love producing, I love having a company that makes films and to be prolific and have a place to put all the ideas that are constantly bubbling up inside of me and that don't let me sleep at night.

Acting is always at the core of my life, but I'm also excited about producing. I'm excited about directing, and I have a life in the filmmaking world, and so I want to explore all aspects of it, not just the acting, but acting is the root.

I have hardly ever worked with the same director twice. But when you have worked with a director before, you understand his behavior.