Colson Whitehead Quotes

I think zombies would fit in anywhere. You can tell any story, and put zombies in it. I don't know how I'd find the backing, but I think it'd be great to make a zombie gangster movie.

Honestly, I don't try to guess at what most people want. I don't think I'd guess right, and I just think that that's not a good recipe for storytelling. I try to write what I like, what I think my friends would like.

Every one has time if he likes. Business runs after nobody: people cling to it of their own free will and think that to be busy is a proof of happiness.

I don't think it's important for everyone necessarily, and I totally respect that because everyone writes differently.

If it's just politics that's running music, f - k that. I'm out of here! I can't think of anything more boring.

I think that running a studio gave me an appetite for making a lot of different kinds of movies and it's given me the opportunity to do that.

People have proven over and over that they will read if they are given something they like. The problem with reading is not reading, its that almost everything out there sucks. For so long, publishing has been run by a cartel of snobby pseudo-intellectual failed writers, and the resulting output has reflected not what the market wants, but what they think people are supposed to read.

I try and avoid thinking of strategy and I tend to stick to my gun of doing things that I like and try to avoid things that I "should" be doing, and stay true to that.

Also with that money comes the idea, "Let your imagination run wild." Which I think is a very dangerous thing. I think it's dangerous because you can get into pretty wacky territory. There are things that are too crazy.

You're going to run into a great deal of opinions. I think that's just fertile ground for us. What else would you want to write a show about than something that is that much of a pressure cooker, that has that much influence and impact? We're going to run into a lot of different opinions, but it's inspiring to me that newsmen and newswomen have reached out and said how thrilled they are with what we're doing.

People start realising that I'm a responsible filmmaker and I'm not going to run away with the budget or do anything stupid. I think it probably depends on the subject matter and it depends on who's producing and all those things. My hope is that I'll be allowed to carry on making films.

I think there was a point that I realized I could do what I wanted to do in terms of the drawing. I used to run around a lot of things. I would shy away from certain things that I realized would be horrible for me to draw, and just wouldn't be fun.

My idea of quality is my own idea of quality. What I do and what I want to do next is my business. The next thing I fall in love with might be what you think is rubbish.

Metallica lives in a little bubble. We just do our own thing. We're not part of any trends or waves or fads. We can just do our own thing, all the time. It's a great luxury. I don't think we were really appreciative of it until recently, and really understood that it is what keeps us alive. It's great to be able to have the freedom to run around and do all this crazy stuff, and at all cost, avoid making another record, just to piss our managers off.

People run away, pull their hair, go off in different directions, nodding their heads and going, "Oh, God." I am slightly disheveled, I think. I'm really pleased that I am, because otherwise I could be in a really, really dull and boring place now, as a musician, at least.

Studios are run by those who are way too old or mostly young, who don't think creatively.

I don't think I've ever seen a zombie movie in my life.

I think when I started acting it was the first time I got the freedom of expression. I was able to express certain emotions and feelings that I could put into other characters, so it was a good way for me to run away from ho I personally was. I could be a ninja, I could be a pirate or I could be in a play y'know.

I think I certainly know that the space I want to work in is a fearless space.

I can't see any reason why a film shouldn't be stylized and visually beautiful. I don't think a beautiful set is pretentious.

In New York, I'm playing in a church, solo, doing instrumental stuff. There's talk of doing more, like, installation-type things with some of the specimen horns I've played through. Just filling a room in a museum with these horn-speaker sculptures and then making loops that run all day, and you walk around the room and sort of mix the sound by where you stand. That's all way in the future, but that kind of stuff is a different way of thinking about performing.

There's no correlation between what the public likes and what I'm after. I'm in a different world.

The difference between working on Asian and American films is in the producer and director; everyone has their own style. But, Hollywood has a lot more money; they can spend a lot on films, and time. In Europe, there's a small budget and thinking about commercial. Only budget and taste is different between there and Hollywood.

I don't think rock n' roll songwriters should worry about art. I don't think it comes into it...as far as I'm concerned, Art is just short for Arthur.

There's very little money and very little freedom in doing it [webshows] for a major corporation. Doing things independantly is and always will be better I think, due to the recalcitrance of stubborn network hands.