Merce Cunningham Quotes
I think the thing that we agreed to so many years ago, actually, was that the music didn't have to support the dance nor the dance illustrate the music, but they could be two things going on at the same time.
Cunningham, Merce, and Jacqueline Lesschaeve. The Dancer and the Dance: Merce Cunningham in Conversation with Jacqueline Lesschaeve. Marion Boyars Publishers, 1985.
South Africa’s transition from apartheid white minority rule to an interracial society with Black majority rule was one of the great political achievements in history. The Black leadership set a tone of reconciliation and inclusiveness that there was neither back retribution and vengeance, nor extensive white flight. Tutu and Nelson Mandella were two of those most resonsible for the leadership, but the good will and Christian charity of the South African blacks was the key to the success where all other white dominated African nations were NOT able to transition without extensive violence and/or flight.
He was in a Turkish Prison when he made this statement. Some of his more militant PKK followers rejected the statement assuming that it was coerced. Most agreed and were tired of a fight against an overwhelmg Turhish military and police. However the PKK militsntd, devclsred terrorists by the US and many other nations, killed 40,000 Turks including many Kurds who are and have been an ethnic minority in Turkey who have been treated very badly..
Mercier Philip "Merce" Cunningham was an American dancer and choreographer who was at the forefront of American modern dance for more than 50 years. He was notable for frequent collaboration with artists of other disciplines, including musicians John Cage, David Tudor, Brian Eno, and graphic artists Robert Rauschenberg, Bruce Nauman, Andy Warhol, Roy Lichtenstein, Frank Stella, and Jasper Johns; and fashion designer Rei Kawakubo. Works that he produced with these artists had a profound impact on avant-garde art beyond the world of dance.