Zendaya Quotes

For me, my style is very versatile.

I think fashion is just part of my life and if it hadn't of been fashion then it would have been something else.

Ideas any one can mould as he wishes.

As a model you need to be able to do the craziest things.

Evening is a time of real experimentation. You never want to look the same way.

Android was intended to be very customizable. And we welcome innovations.

I want to make each piece of clothing work 15 different ways.

I'm open to trying multiple different types of styles.

If I'm doing an editorial or if I'm doing a shoot, I will wear anything, and I'll do anything.

That's what my game is built around: versatility.

I've never like had a system or a program, I always think that I don't know how to act. I'll adapt to any director because I don't really have a set way that I do things. If a director hires me and says, "I want you to get started right now and do this research, this research, this research and I want you to have every line memorized before you ever show up for the first day," then that's what I'll do.

I think it's because I'm unpredictable. I view every situation, every race, and every candidate differently I try not to rely on something that worked before.

If you get basics that can be switched and piece it together, that is so important.

Man must become comfortable in flowing from one role to another, one set of values to another, one life to another. Men must be free from boundaries, patterns and consistencies in order to be free to think, feel and create in new ways. Men have admired Prometheus and Mars too long; our God must become Proteus.

If you get a certain amount of notoriety for doing something, and you can stick to that type of project for the rest of your life and make a decent living, I think you still have a responsibility to stretch. Flexibility is what keeps you alive.

I like the idea of experimenting with different kinds of formats, and I think you've got to keep on your toes and keep changing.

I think fashion is just part of my life and if it hadn't been fashion then it would have been something else.

I think it is fatal to specialize. And all kinds of things show us that and that the more diverse we are in what we can do, the better.

Dressing is like modelling - you can constantly adapt.

Modern life requires us to be more and more flexible in our attire.

I don't like to have everything all worked out in my head because there's always a chance of it coming out different than you think it should anyway.

It's important to pull tons of pieces! If you have lots of options to choose from, you can play around and see that things that you wouldn't originally have expected to work together actually do! That applies to both clothing and decorating.

I memorize my lines and I show up. I think it's just instinctual, and sometimes it's wrong and the director says, "No, do it this way." And then I can change, because I didn't spend all night practicing it this one way. All I do to get ready for the day is the night before, I read my lines once or twice, memorize them, and then I show up.

What makes people and companies and artistic directors and choreographers interested in working with dancers is the ability to kind of let go of everything you think you know and be a blank canvas.

I'm always open. I try not to have a closed mind. In fact the only reason why I'm able to continue to make films since 1986 is I have been adaptable. If I weren't flexible I sure wouldn't be making films this many years as I've been doing it. I've been making a film a year almost since 1986 and that's hard. That ain't easy.