Audrey Tautou Quotes

And when you see it the first time you put the film together, the roughest cut, is when you want to go home and open up your veins and get in a warm tub and just go away. And then it gradually, maybe, works its way back, somewhere toward that spot you were at before.

Sometimes, trying to make a work of art can be very difficult and very painful.

I don't really have any advice, other than to say it's the most appallingly difficult thing I've ever tried to do and I wish I had a better idea of how to do it. In my experience what you end up with is the by-product of your failure to achieve what you set out to do. It may turn out OK, but it wasn't what you meant and you've no idea how you got there.

I feel satisfaction at the end of the day when I've written a scene that I really like or when I write a good line of dialogue that I read out to my wife or something like that. But there's also days where it's just bloody agony and I go, 'ugh, this is such crap! Why did I think I had any talent?

Writing is like pulling your hair out. You have nothing, and you can't think of anything, but you have to think of something.

I think one of the aspects of photography that remains for me is I find the process still frustrating. The counter to that is that it's still very exciting. If you didn't have the frustration, you wouldn't have the excitement. If you didn't have the disappointment, you wouldn't have the magical intoxication of this process working.

writing is the loneliest job in the world. There's always that frustrating chasm to bridge between the concept and the writing of it. We're a harassed tribe, we writers.

I'm not sure I would call it agony but there is a kind of cyclic frustration. You get one story right and then here comes another one. When does that end? What I'm trying to do is get it to end right now, by recognizing that that cycle is writing. That is: trying to understand the frustrations and setbacks (and agony) as part of a bigger chess game you are playing with art itself.

The creative act is also in a small way a suffering act - we start out with our ego, this hope of making this thing whatever it be, but so often it eludes us and it collapses and we kind of regress into this mental suffering, we can't find what we're looking for.

You feel the music needs something but you don't know what. So you start searching, fitting, measuring, trying. Every time you try another angle. And sometimes that's frustrating, especially if you don't come up with something for three days.

People say if you're doing an art project, that's different from a book, but I honestly don't see it. I try and try, and I just don't.

I think that's just part of how it is with making art. Sometimes you're just flooded with ideas, and then other times you're questioning all the ideas you ever had before, and everything is just... lame.

Most artists have experienced the creative block. We get stuck in our work. We beat our head against the wall: nothing. Sometimes, it is because we are trying something at the wrong time.

That terrible mood of depression of whether it's any good or not is what is known as The Artist's Reward.

I'm envious of writers and musicians. I think it must be so difficult. Not just the frustration, but the discipline.

That's the terrible thing: the more one works on a picture, the more impossible it becomes to finish it.

It is a little bit demoralizing to work a show, and you just try so many times to get something, and the creator just keeps saying, 'No, not that.' Then they just instantly come up with something.

It's easier and sociabler to talk technique than it is to make art.

I've spent so long on some paintings that I no longer know what to think of them, and I am definitely getting harder to please; nothing satisfies me.

What you have felt and thought will by itself invent a new style, so that when people talk about style they are always a little astonished at the newness of it, because they think that it is only style that they are talking about, when what they are talking about is the attempt to express a new idea with such force that it will have the originality of the thought.It is an awfully lonesome business, and, as you know, I never wanted you to go into it, but if you are going into it at all, I want you to go into it knowing the sort of things that took me years to learn.

I think that gulf is what makes the work interesting, but as a creator it's endlessly frustrating because I'm starting out with this goal, this thing I'm trying to create, and then the thing I actually do create is very, very different. It's always painful, in some ways, especially when it's just finished.

Painting is like having a bad mistress who spends and spends and it's never enough ... I tell myself that even if a tolerable study comes out of it from time to time, it would have been cheaper to buy it from somebody else.

I don't mean to give performance art a bad name or anything; I think there are people that are legit. I think I just got frustrated painting - I love painting; I actually tried to be an artist, but it's sensitive, and then you have an object. And what do you do with that object? And then repeat and repeat, blah blah blah.

Normally, in anything I do, I'm fairly miserable. I do it, and I get grumpy because there is a huge, vast gulf, this aching disparity, between the platonic ideal of the project that was living in my head, and the small, sad, wizened, shaking, squeaking thing that I actually produce.

Sometimes something will come along, and it feels easy and sometimes you'll get 85 percent there on a song and the last 15 percent will elude you for three years.