Nicholas Sparks Quotes

I write about people in small towns; I don't write about people living in big cities. My kind of storytelling depends upon people that have time to talk to each other.

I grew up in a small town.

It's quite a thing, if you've never been in or known a small southern town. The people are not particularly sophisticated, naturally. They're not worldly wise in any way. But they tell you a story whenever they see you.

I suppose more than anything, it's the way of life in this part of the country that influences my writing. In Eastern North Carolina, with the exception of Wilmington, most people live in small towns.

I'm all about small towns. I think it's a great place to grow up.

I don't think I'll ever lose the feeling that I had when I read 'To Kill a Mockingbird' - Harper Lee was going back into her childhood. I grew up in a real small town - Lee's was in the South, mine the Northwest - but small towns have a lot in common. There was such a revelation in knowing that a story could be told like that.

I lived in Minnesota in a small town.

When I was 18, I took it for granted and was eager to move on to the bigger cities like Boston and then New York. But I've been to enough places to have gained a greater appreciation for the beauty and rich culture of all of Rhode Island. I am grateful for all that it offered during my childhood.

Small towns make up for their lack of people by having everyone be more interesting.

A lot of people seem to get carried away that something that's made out of paper mâché is going to be better than not. And I always thought the original King Kong, that terrible little puppet with its hair going in all directions, was far more magical than Peter Jackson's incredibly beautifully rendered King Kong. So there's something to be said for a more primitive version of things. I think it's because it makes the audience work a little bit more, because you've got to invest it with life and reality, so I like doing that.

I think people try to jam a lot of artificial plot devices into a lot of romantic comedies, and they don't treat it with the respect I believe it deserves.

I think people are gravitating towards these period dramas because I think they're looking for a simpler time.

Gossiping is the plague of little towns.

Everybody always talks about the science fiction genre, in particular, which always makes me think about people in spaceships. I can appreciate that, but that's not really where I think my dramatist aspect lies.

I think certain people would be moved to be nostalgic about America's glory days, when the music set the tone for the cultural conversation and popular musicians had this absurd level of authority.

I think it's Greek Orthodox - who totally believes in the pope, not anything about attacking the United States, which needs to be because we're not recognizing the dignity of all people.

I read somewhere that we are all more than we know. And I really believe that. Everybody is worth something, and think of all the amazing things that you could be to each other, to people you don't even know, of all the things that you could accomplish.

Some people flinch when you talk about art in the context of the needs of society thinking you are introducing something far too common for a discussion of art. Why should art have a purpose and a use? Art shouldn't be concerned with purpose and reason and need, they say. These are improper. But from the very beginning, it seems to me, stories have indeed been meant to be enjoyed, to appeal to that part of us which enjoys good form and good shape and good sound.

Whatever the Thinker thinks, the Prover will prove. And if the Thinker thinks passionately enough, the Prover will prove the thought so conclusively that you will never talk a person out of such a belief, even if it is something as remarkable as the notion that there is a gaseous vertebrate of astronomical heft ("GOD") who will spend all eternity torturing people who do not believe in his religion.

For me, I think it's such an important thing to hear other people's stories, because you do find ways that either you can learn something from them, or you can identify with something that they've gone through. You realize that maybe what you're going through in life isn't just specific to you, that somebody else understands it, or you talk to someone and all of sudden you see something in a completely different way because of what they've said to you or shared with you.

If you believe that there's a being superior to yourself and that will guide you, strengthen you that helps a lot but, you know, you just have to stay the course. You just got to stay in there. You cannot be waffling or taking a poll to see what people think. You have to do what you think is right.

I did a lot of music criticism. I don't think much of it was any good. I think I wanted to show off a lot when I was younger. Now I just want people to enjoy the story. If it were possible to publish anonymously, that would be awesome.

You don't want to just preach to people; you want to get them emotionally involved, and I think you do that with a wonderful human story about one person's struggle.

As I was walking up the stairs to dad's old room, and I was looking at the photographs, I started thinking that there was a time when these weren't memories. That someone actually took the photograph, and the people in the photograph had just eaten lunch or something.

I honestly would tell anyone young to start looking at stories and learning story, because I think that’s the next step after people go, ‘OK, I’ve had enough of that improvisation, I’ve had enough of those short comedy bits. Tell me a story, tell me a more complex story, something that lasts and maybe has a little more meaning to it.’ Don’t ever look at what’s happening now; look at what’s coming next.