Tracy K. Smith Quotes

I would feel dead if I didn't have the ability periodically to put my world in order with a poem. I think to be inarticulate is a great suffering, and is especially so to anyone who has a certain knack for poetry.

Now to sum it up,' said Bernard. 'Now to explain to you the meaning of my life. Since we do not know each other (though I met you once I think, on board a ship going to Africa), we can talk freely. The illusion is upon me that something adheres for a moment, has roundness, weight, depth, is completed. This, for the moment, seems to be my life. If it were possible, I would hand it you entire. I would break it off as one breaks off a bunch of grapes. I would say, "Take it. This is my life.

We have to make myths of our lives, the point being that if we do, then every grief or inexplicable seizure by weather, woe, or work can-if we discipline ourselves and think hard enough-be turned to account, be made to yield further insight into what it is to be alive, to be a human being.

That perhaps is your task--to find the relation between things that seem incompatible yet have a mysterious affinity, to absorb every experience that comes your way fearlessly and saturate it completely so that your poem is a whole, not a fragment; to re-think human life into poetry and so give us tragedy again and comedy by means of characters not spun out at length in the novelist's way, but condensed and synthesized in the poet's way--that is what we look to you to do now.

Life belongs to man, but the meaning of life is beyond him.

The great poems of heaven and hell have been written and the great poem of earth remains to be written.

-Why does a man live? -In order to think about it.

If a mind is just a few pounds of blood, urea, and electricity, how does it manage to contemplate itself, worry about its soul, do time-and-motion studies, admire the shy hooves of a goat, know that it will die, enjoy all the grand and lesser mayhems of the heart ?

The poem is a cry of the unborn heart. Yes, because the poem perfectly embodies the world, there is no world without poem.

To me, the research is a way of exploring what it means to be alive.

I write because to write a new sentence, let alone a new poem, is to cross the threshold into both a larger existence and a profound mystery. A thought was not there, then it is. An image, a story, an idea about what it is to be human, did not exist, then it does. With every new poem, an emotion new to the heart, to the world, speaks itself into being.

The world is always somewhat vicious. I take that as a given, but at various times in various circumstances that fact will be no more than a shadow or an echo behind some poem. Other times it will be more manifest. I try to write myself into articulations of half-felt, half-known feelings, without program. I'm always working toward getting my world and, hopefully, the world outside of me into a version that makes sense of it. Viciousness requires the same precision as love does.

I think we'd all like to believe that after we shuffle off this mortal coil, that there's going to be something on the other side because for most of us, I know for me, life is so rich, so colorful and sensual and full of good things, things to read, things to eat, things to watch, places to go, new experiences, that I don't want to think that you just go to darkness.

The naturalists have been engaged in thinking about Nature. They have not attended to the fact that they were thinking. The moment one attends to this it is obvious that one's own thinking cannot be merely a natural event, and that therefore something other than nature exists. The Supernatural is not remote or abstruse; it is a matter of daily and hourly experience, as intimate as breathing.

Her heart was a secret garden and the walls were very high.

What is the meaning of life? It is too great a phenomenon to fit into any meaning.

And truly Philosophy is but sophisticated poetry. Whence do those ancient writers derive all their authority but from the poets?

The advice I continually give to young writers is this, "Learn to paint pictures with words." Not just once upon a time, but ... In the long secret dust of ages, beneath a blue forgotten sky, where trade winds caress the sun bleached shores of unknown realms ... See, as much as there are words in poetry, there is a poetry in words. Use it, stay faithful to the path you have set your heart upon and follow it.

I think fiction goes to poetry for the intensity of its use of language.

poets are privileged to utter more than they can always quite explain, bringing up from the mind's unplumbed depths tokens of the nature of the world we carry within us.

We read poetry because the poets, like ourselves, have been haunted by the inescapable tyranny of time and death; have suffered the pain of loss, and the more wearing, continuous pain of frustration and failure; and have had moods of unlooked-for release and peace. They have known and watched in themselves and others.

i carry your heart with me(i carry it in my heart)

if you think of a relationship as a living entity, I guess it's one thing if the missing two percent is, like, a fingernail. But when it's the heart, that's a whole different ball of wax.

Science fiction is very well suited to asking philosophical questions; questions about the nature of reality, what it means to be human, how do we know the things that we think we know.