Josh Groban Quotes

I would love to say that the world is changing in the movie industry for people of color, women, the LGBTQ community and other minorities since I began my career, and that we are evolving as a species, but I think that given this social and political climate, I'm at a loss. It's like running a marathon and thinking you're halfway done and you can see the finish line - but the finish line is actually the first checkpoint.

As slavery died for the greater good of America, and the movement for equality sputtered to life, the white woman was on the cover of every American magazine. She was the dazzling jewel on every movie screen, the glory of every commercial and television show.

I think we really need a movement to drive how popular culture understands the issues that feminists care about. When I think about the LGBT movement for example, they have had a really intentional strategy to try to change images and representation of LGBT people in the media and the culture. It really moved the dial politically. That's what is needed in the women's movement - a strategy that can drive awareness and culture change.

I think Skeeter even says that when she calls up Miss Stein. "No one asked Mammy how she feels in Gone With The Wind." Mammy wasn't really much of a fleshed-out character. She was just kind of there to take care of Miss Scarlett.

The first thing that happens is the cleansing of the former character. I don't think a lot of actors talk about it, but there is usually a process where you essentially purge yourself of the character played prior to the movie. Then you want to think about what the character represents, and you write down all of the elements about this character and then take the time to find some synchronicity and start breathing the character.

I don't think there is any religious revival. I think what we are hearing, the furor, is merely the hysterical response of the churches the handwriting on the wall that they are seeing.

I think women can save civilization.

You start with a generic body, but I think the first wall you hit with portraiture is comprised of history and storytelling and the nature of characters - whether they are historical or coming from literature or documentation. Those are the references we have to people, besides your family, and the intimacy of portraiture is in the specifics of individuals. For me, it came out of doing things about animals.

If you have the abilities to earn a lot of money and if you have the character to persist in giving that to the most effective charities you can find, then that may be the best thing that you can do. And - also, if you do become a Wall Street banker, I think you need to be aware of what you're doing in terms of your daily work, not just earning money to give a lot away. But you need to think about - am I harming people through the work that I'm doing?

There are two things that have been true throughout history in big hunks. You can find differences in ten years, but in 50 year hunks, 100 years hunks, you'll find two things to be true. One, the world is always getting better. Two, people always think it's getting worse.

I don't think that you necessarily need a certain type of background to take on roles. You see actors from very, very privileged backgrounds playing working class characters and vice-versa. I don't think your background limits you as to what you can do.

As a biracial girl growing up in England, I'd never really seen any historical characters who looked like me depicted on film before that weren't being brutalized or playing slaves.

We must think of human progress, not as of something going on in the race in general, but as something going on in a small minority, perpetually beleaguered in a few walled towns. Now and then the horde of barbarians outside breaks through, and we have an armed effort to halt the process. That is, we have a Reformation, a French Revolution, a war for democracy, a Great Awakening. The minority is decimated and driven to cover. But a few survive- and a few are enough to carry on.

Women watch plenty of television and theater. They're consumers, like everybody else. I think people don't thinking women go to the movies is a thing that still has to be addressed and changed.

I love the protests. And if you think about it, what better way to send a message to Wall Street than by sitting in a pup tent banging on a drum.

I think diversity in television is important. It's not about trying to fill a quota or satisfy some idea of diversity, but I think what diversity brings to any daypart is more eyeballs, just more opportunity.

Ultimately the social change has to come from the people who make the movies, so the people who make the movies have to look at the landscape and say to themselves, "Well, you know, these things are changing, and I'm okay with their having changed, and I think it's okay to start reflecting those changes through the movies we make."

I don't know whether the movement crashed as a result of the overwhelming character of the institutions we set out to change. I think repression had a lot to do with the dismantling of the movement and also the winning of certain victories had something to do with the inability of the movement to take those victories as the launching point for new goals and developing new strategies.

For better or for worse, our company (The News Corporation Ltd.) is a reflection of my thinking, my character, my values.

We think that computers are the most remarkable tools that humankind has ever come up with, and we think that people are basically tool users. So if we can just get lots of computers to lots of people, it will make some qualitative difference to the world.

I think art is the ability to change people with your work, to see things as they are and then create stories, images, and interactions that change the marketplace.

No great improvements in the lot of mankind are possible until a great change takes place in the fundamental constitution of their modes of thought.

There's something going on right now in America, where the American spirit or character is reasserting itself around liberty. I think it's an important time, and I'm trying to document that as an artist. If I just filter what I read through the media, if I just go through what I read through the media, I'm not really in touch with the world I grew up in. I know there's a gap there, I talk to my relatives, I talk to people I meet traveling around, and their mind is on something completely different.

It's really an organic sort of process. You start off with the character on the page. You fall in love with that character and you have to represent that character well and I think it's just an evolution there. Using the accent and speaking the lines with the accent in fact opens the door to who the character really is.

I find that in the science fiction world, you have almost more women fans than male fans and I think it's because there's been such a shortage of strong female characters.