Keira Knightley Quotes

With an independent film, you have a little more freedom, and you also have less money, so you're sort of struggling to get it done, to get something that works. With a big studio, everything is there for you, and it's easier.

I have a lot of films that I haven't gotten made, and that continues to trouble me. But someday, some way or another, I think I will. It's all about timing. There's a moment when you're hot and studios will make your next film, and then there's a moment when you're really cold, and they couldn't care less what you want to do next. That's when you have to recede and make lower-budgeted films.

I don't think one should attribute the success and failure of a film to a single actor. When you decide to do a film, you weigh the pros and cons before taking a call. Only when you run out of patience, get insecure, and feel your career is heading nowhere do you sign anything that comes your way.

I am an actress, not a producer; I can't decide release dates.

I've always been passionate about directing.

I don't get to make many features. It's not like that's something I can just snap my fingers and make happen.

With the films I've done, I've written on them, I've acted in some of them. And even ones I haven't acted in, I've acted them out just to be sure another actor can do them.

I'd be fine to make movies and have them never come out. But you have to deal with the business side. You can't get too emotionally invested, because again, you've got no control. There's going to be some huge film out that everyone goes to, and it probably won't be mine.

I am a writer who was able to direct the films that I write.

When you produce and direct your own film you havethe somewhat consoling feeling that the producer will kill for you.

My job is going to be to direct the film - I'm going to do it. And that's where my job ends.

I think one of the biggest things is the budget.For a studio, becomes a very big challenge to make sure that movie will work even better on every level. As an actor I don't think in those terms when I make a movie.

I think technology is having a democratising effect on film.

I think it's very important for any actor to eventually produce, and create the projects they want to create. I believe it's all a part of the same art form, which is storytelling.

There's a kind of unwritten rule: Don't say anything at all, and everything will be fine. It's a producer's medium. The directors aren't there to make any decisions. They're not going to change anything.

I got my first part in Silent Fall, 1994 - I guess I was 15 or 16 - which was really outrageous because I still knew nothing. I don't think I really learned how to land on my marks until after Empire Records in 1995, 'cause sometimes I'll see a shot in that film, and I'm like "Whoa, I just walked over to the corner."

It was easy for me to show the films to the studio and the network and say, "This is who I'm hiring."

My job is exhilarating. It's challenging. I find that the governance part of it, the decision making part of it - actually comes - comes pretty naturally. I think I've got a great team. I think we're making good decisions. The the hardest thing about the job is staying focused. Because there's so many demands and decisions that are pressed upon you.

I'm just thinking of 2001, which I think is the most expensive independent film ever made - which is great, someday I hope I will do one. But I know the parameters when I got onto this project - I have to take care of everyone, make sure that they are all on board, and this process interests me.

Don't just put it off and think about it!

Harvey [Weinstein] didn't want to release [MY SON THE FANATIC]; he held it for two years because he wanted a happy ending, although I don't know what that means. Does that mean the taxi driver leaves his wife or doesn't leave his wife? I think it has a happy ending.

I have a tendency to think that that stereotype of American movies and Hollywood movies doesn't exist. Of course you have the studios that have a very hard policy upon their artists, but then I haven't really been doing any real Hollywood movie yet.

Generally you should act somewhere between P40 and P70, as I call it. Sometime after you have obtained 40 percent of all the information you are liable to get, start thinking in terms of making a decision. When you have about 70 percent of all the information, you probably ought to decide, because you may lose an opportunity in losing time.

Sometimes people think of actors as marionettes - everybody else makes the decisions for us - and, you know, really, making this decision [of which roles to take] is the only thing you lay claim to.

Films don't take as long as people think. 'Harry Potter,' people always used to say, 'Well, my God, do you ever get any time to yourself?' I think I did, in 'Harry Potter,' over a 12 year period I did five days. So it's not exactly exhausting.