Tatiana Maslany Quotes

I love to act and put on a show, but you're playing a character all the time. For music, it's really just me being myself.

As a director and an actor, I encourage improvisation but in character and in the moment of what it is.

Not that my life has been so crazy and exciting but, it just seems like if I can bring more of myself to the role. It's going to help keep it spontaneous and exciting, instead of thinking in terms of this box of a human that I have to slip myself into every week, which I tend to do more when I'm shooting a movie. On a television show, this is all kind of still new to me, doing many episodes of something, so I want to try to keep it as fresh and close to home as possible, so it doesn't get stale and I still like it every day.

I've always believed acting is an improvisational art form, even when not a single line is changed. I mean, the behavior should always be improvised. My favorite moments in any performance are when I'm just along for the ride; when I'm surprising myself. I know when I'm done and I think to myself, 'Gee, I didn't see that coming,' I've done well.

I feel when acting, I am sometimes overly self-conscious; I think, 'Going, no, don't, put your eyebrow back where it was and, you know, turn to the left.' You know, I'm sort of very consciously adopting this character. But with music, I don't know. I found it was a question of just closing my eyes and just sort of letting things come out.

When I was starting out, doing guest spots on TV, and even commercials, I would go in with a whole crazy wardrobe and some terrible accent. Obviously, I was doing too much. If you bring too much flavor to it, it's absurd. There's something to just being spontaneous.

I am a natural actor. I try to keep it spontaneous as far as possible. That is my mantra.

I think the goal is to make a well written scene seem like it's improvised and/or to come up with things that you find in the room that you couldn't have known until you get into the real situation, just try to improve things as you go along.

I really learned how to improvise at the Groundlings.It's something I've always loved to do. For some reason it feels more honest at times.

I think in every character there are aspects of yourself that you bring to it. But then it would be really boring to just play yourself.

Even when I was in school shows, in elementary school doing plays, I'd always go off book and start improvising.

I don't like improvising on camera, particularly, but very often, a scene will not be working, and you rehearse it once or twice, and you realize something's missing. So I'll play with it until it makes sense.

Well, I love acting, and I love acting quick.

What you learn from studying acting is that you have to have the courage to just make strong choices.

To have an opportunity to get in front of a camera every single day is just priceless because it gets you closer and closer to being less self-consciousness in front of it and really being human and really making choices and standing by them.

I think people who are regarded as better actors must have better instincts because, at the end of the day, once they say 'action,' it's you who has to do it right. You can do all the research and preparation or none at all, but it's your instincts that tell you, 'No, I'll do it like this.'

Every once in a while I go off to do a movie or a television series and I take my art with me. I can stay in character when I paint.

And you can't hide in a comedy scene either. You have to give in to the scene and commit.

Most of the time I'm thinking, I'm glad that scene was improvised.

If you're saying the same line 10 times and making it look like you just came up with it, that's acting.

The best advice my dad ever gave me is that acting is believing. Acting is not acting. It isn't putting on a face and dancing around in a mask. It's believing that you are that character and playing him as if it were a normal day in the life of that character.

I want a part where I can use my own hair, my own voice, and maybe even be literate.

I couldn't be 'Johnny' in front of a camera in acting jobs and behind the camera I like to be 'Michael.' With directing, you can't do it by halves. There's a lot of reflection, and I have found that I, as 'Michael,' thrive on it. It's lovely coming home and feeling that stuff from a day's work as myself.

I would take plays and I would cut out all the other dialogue and make long monologues because I felt the other kids weren't taking it as seriously as I did.

When I rehearse, it ends up doing more harm than good. I think I work a little bit better when it's right off the bat. Mostly, I try to wrap my head around a role as much as I can without rehearsing and then kind of make it as fresh as possible on the day.