Justin Timberlake Quotes

Everything I wanted before, I want twice as much now. And that doesn't mean material things; it means to explore more, to think more. Being an artist doesn't start because you're 21, and it doesn't end because you're 51. You are who you are until the day you die.

I really think I've found me finally in the music. You know, I had put an album out before, 'Embrace Me,' and it's been seven years since that. So I was discovering who I was. And I still am discovering, but I think now I know a little bit more of who I am. So that's what's pushing me.

Yeah, I put out some goofy stuff. I had no idea who I was as an artist at all before 'Posse on Broadway.'

Infinite was me trying to figure out how I wanted my rap style to be, how I wanted to sound on the mic and present myself. It was a growing stage. I felt like Infinite was like a demo that just got pressed up.

When you go for something because you're curious about it, you get psyched up about the chance of getting into it. It's like an actor meets a role, and you slip into that body and see what happens, to experience certain conditions, to adopt a certain character. Even shooting is a study of the character. I think both the character and the actor, and eventually the filmmaker - myself - are finding a way to accept their environment and being accepted and feel comfortable of themselves.

It took me a long time to find my own voice, even after I started making my own music.

Don't be afraid of growing up and changing and getting used to these newer versions of yourself and becoming more comfortable sharing those versions of yourself with the people in your life, even people who knew you when you were younger.

As I was finding my musical style, I found my personal style as well, and moving from Germany to L.A. was part of that, raiding the secondhand stores in L.A. trying out different beauty themes, finding my love for huge lashes and big, long hair extensions.

I suppose everyone continues to be interested in the quest for the self, but what you feel when you're older, I think, is that ... you really must make the self. It is absolutely useless to look for it, you won't find it, but it's possible in some sense to make it. I don't mean in the sense of making a mask, a Yeatsian mask. But you finally begin in some sense to make and choose the self you want.

Music is really everything I know. To be honest every experience I've ever had has been brought up from music and everything I do is because of music. I don't know anything else, I think about music before I go to sleep and it just really is everything that I am.

They keep coming up new all the time - things to perplex you, you know. You settle one question and there's another right after. There are so many things to be thought over and decided when you're beginning to grow up. It keeps me busy all the time thinking them over and deciding what's right. It's a serious thing to grow up, isn't it, Marilla?

Whoever undertakes to create soon finds himself engaged in creating himself. Self-transformation and the transformation of others have constituted the radical interest of our century, whether in painting, psychiatry, or political action.

I mean, the great thing about being an actor is you can investigate parts of your brain that might have otherwise gone dormant.

Duke Ellington, Art Tatum, and many other great jazz musicians objected to their music being called jazz. While the outside world may want to put a label on it, those who create it think of it just as music, and tend not to classify it.

We're too passive. We're feeding on too much rubbish and I think we should strive to just shrug away that comfort zone and be able to get the most of each one of us, which means restructuring the way we deal with time and the priorities we have in life, so being what we want to be I think should be something that we should keep in mind.

I think part of growing up is not actually finding a fixed idea of who you are, but rather being like, "Oh, wait. I'm different all the time. I'm going to change every second and grow and be fluid." And that's okay.

I wasn’t thriving socially, so I stayed in my room and played guitar all the time, at the time, I thought I was inventing a new sound that would change the whole outlook of music. I’ve discovered in the last few years that it was just the Seattle Sub Pop sound.

Writing, like any art, is a continuing process of discovering the infinite possibilities of Life.

When you're young, your perception of what it means to be a writer is often less about the writing and more about what seems to be the accompanying life: speeches and travel and hanging out with other writers. You think that when you get published, your life will clarify itself to you somehow. But when you don't get published until you're middle-aged you know who you are already, and your life expands to make room for your writing, rather than orbiting around it. You realize that there's no one way to be a writer, and that the job is less of an identity and more of a vocation.

I'd like to think that what I've written over the years and what I'm doing now means something to people. People in the street all the time are saying "love the new record" or "I love that record," this tune or that tune. It means an awful lot, or it's been a big part of their lives. As a songwriter, what else would you really want? You're trying to connect with people, people's emotions, and maybe say something about their lives or feelings. That's probably a good enough compliment to receive, really.

I didn't grow up with indie rock - I mean, I listened to bands that are considered indie rock, but I think that term is dead and uninteresting.

I rejected the word humorist for a long time because I thought that it meant you had, like, a cardigan sweater with patches on the elbows, but now I'm old and I do. I grew into that word. I think at heart, all this time, I've been a diarist. I'm not ashamed of it.

What kind of art do I want to make? What do I stand for? What inspires me? And then to have people in return respond to that... I think that's the greatest thing because throughout dancing, I'm always looking for that.

This labour of the artist to discover a means of apprehending beneath matter and experience, beneath words, something different from their appearance, is of an exactly contrary nature to the operation in which pride, passion, intelligence and habit are constantly engaged within us when we spend our lives without self-communion, accumulating as though to hide our true impressions, the terminology for practical ends which we falsely call life.

I think that most art is asking a question or is looking for something, looking for answers and that is what life seems to be about for most people.