Kim Kardashian Quotes

You always want to come back with an image that's interesting visually, and you hope to get something from the person you photograph that's different than other images you know of these people.

The landscape is like being there with a powerful personality and I'm searching for just the right angles to make that portrait come across as meaningfully as possible.

When a moment in front of me appears to be particularly special, whether it be by beauty or experience, I capture it. I usually find a reason to justify taking that photo - symmetry, or color, or contrast - and it's my hope that my photography sheds light onto what I see and do on a daily basis.

There are a thousand ways to point a camera, but really only one.

To me, photography is the simultaneous recognition, in a fraction of a second, of the significance of an event.

Fine artists reflect, and then they act. Fashion photographers - we act, and then we reflect.

The picture is all he feels about it, all he thinks worth preserving of it, all he invests it with. If all the qualities which a painter took from the model for his picture were really taken, no person could be painted twice.

Every movie has its uniqueness. You just do your best and go with it.

I look at ordinary objects, and I see things that other people don't see. That's why I'm a photographer.

As I have practiced it, photography produces pleasure by simplicity. I see something special and show it to the camera. A picture is produced. The moment is held until someone sees it. Then it is theirs.

Life rarely presents fully finished photographs. An image evolves, often from a single strand of visual interest - a distant horizon, a moment of light, a held expression.

Most photographers would feel a certain embarrassment in admitting publicly that they carried within them a sense of wonder, yet without it they would not produce the work they do, whatever their particular field.

When the director has a vision for a piece that I've never heard before, and they can back that up with visuals, and they talk a good game, I get really interested in the world that they're trying to create.

Photography to me is catching a moment which is passing, and which is true.

First you study photography, then you practice photography, then you serve photography, and finally one becomes photography.

If Caravaggio was a photographer today, I would love to work with him. I love his dark vision - I have a dark vision.

All these directors, and I would include the Coen brothers and Quentin, have a very unique vision of what they want. They listen to ideas and make people feel like everyone is making the film.

I think that's the strength of photography - to decide the decisive moment, to click in the moment to come up with a picture that never comes back again.

The directors that I end up having a really good time with are the ones that understand the fluidity of the medium and are interested in catching lightning in a bottle.

You don't take a photograph, you make it.

It's amazing to be able to work with people right at the top of whatever they do... inspiring photographers and stylists with very interesting visual language. The more I do it, the more I enjoy it.

With my aunt, I definitely can relate to how she makes a movie because she does it with her own demeanor, which isn't this loud presence.

I liked the idea of being a photographer, just that you take this one picture of this one thing that'll never happen again - it's a bit weird when you think about it.

The photograph itself doesn't interest me. I want only to capture a minute part of reality.

Capturing a beautiful moment in a photo is something I'm very passionate about.