Guillermo del Toro Quotes

Sound is 50 percent of the movie going experience, and I've always believed audiences are moved and excited by what they hear in my movies at least as much as by what they see.

I think the war movie genre is a very important genre in film. Film gives you a visceral experience of something that you would never otherwise experience. To give the audience a real feeling of what maybe a certain kind of warfare would be like I thought was great.

I didn't really think about the sound of my songs before I started recording things in the studio.

Everybody's going to do the 3D slightly differently the same way that people are going to deal with color differently. Some movies downplay the color, some color is very vibrant. Color design is very different. We've got to think of 3D like color or like sound, as just part of the creative palette that we paint with and not some whole new thing that completely redefines the medium.

3D is great, but I just think of it as another tool, like colour or music or sound. It has the potential to add another emotional layer to certain things if you use it right. But it's not the saviour [of the movies], the be all and end all, the reason to do something.

I like films where the music and the sound design, at times, are almost indistinguishable.

We mixed the sounds ourselves. If they were going to put the sound back onto our film [Pink Floyd: Live at Pompeii.], we wanted to mix it ourselves.

I proceeded to take that mitten full of the deadly yellow snow crystals and rub it all into his beady little eyes with a vigorous circular motion.

Think of how strange we'd look if all the cuts, burns, scrapes, bruises, scratches, bumps, gashes, and scabs we ever had suddenly reappeared on our bodies at the same time.

You know music and sound design can be very powerful with how you use it but also the absence of sound can say a lot as well.

Hearing myself so much all the time, I don't think I sound that special all the time because it's me.

But it's interesting being directed by someone who is a very good actor. There's nothing like it. It might sound like a territorial thing about what I do, but I don't think you can understand what it is until you've done it. I know that to be a fact.

The tone of the picture and the atmosphere was in my head and in my blood in a way once I'd decided to make the picture. I had to find my way through that to choose, select, emphasise certain visual elements and sound.

35mm film isn't ticking away so it's subconscious - performances are allowed to breathe in a much more real way I think.

I think it's a great thing that women went out in droves to see Sex and the City movie. I think it's wonderful and I think women have always shown they're looking both to be entertained and challenged in a theatre. I don't think women are afraid of movies that make them think; make them feel sad. The movies that I've been associated with are not exactly Sex and the City but women are leading the way to the theatre on those. They used to call it a date movie where the girl gets to choose.

I think that film festivals, we're very often given to understand, are about filmmakers and about films and about the industry of filmmaking. I don't believe that they are, I believe that film festivals are about film audiences, and about giving an audience the encouragement to feel really empowered and to stretch the elastic of their taste.

I think 'Hail to the Chief' needs a little bit fresher sound. I might put some gospel beats in 'Hail to the Chief.'

Why do people go to the cinema? What takes them into a darkened room where, for two hours, they watch the play of shadows on a sheet? The search for entertainment? The need for a kind of drug? ..I think that what a person normally goes to the cinema for is time: for time lost or spent or not yet had. He goes there for living experience; for cinema, like no other art, widens, enhances and concentrates a person’s experience-and not only enhances it but makes it longer, significantly longer. That is the power of cinema: ‘stars’, story-lines and entertainment have nothing to do with it.

Honestly, I love movies so much that I don't really have a favorite type. It's all script-related. Whatever genre it is, if it's cinematic at all or has a tone and a feel that I think is gonna be exciting to put up on screen, then I'm there and I'll put everything I have into it.

I sometimes cry in the moments that are not necessarily dramatic or tragic in the films, often because of the music. I wonder whether it's the music that has that effect on you in this film.

My mom's never liked the fact that there's an option for people to punch me in the face, but she likes that I'm doing what I love, and she enjoys a lot of the different perks that go along with it. She just thinks they should change the rules and make it so no one can hit me in the face.

I'm neither Catholic not Protestant. Protestant sounds good but I don't think I am.

"If you’d refrain from slamming my face any more into this dirty rock floor, I’ll do whatever you like," was his even reply. "Fancy letting my head go?" "Sure," I said with an unpleasant snicker, not relinquishing an ounce of pressure. "How about I let you floss with my jugular as well? I don’t think so."

I don't really wanna think about themes. I wanna just think about the experience of the movie. I feel like, as soon as I reduce it to a theme, once I write that sentence, it won't be that great. I feel like there's more potential for it to mean something interesting if I'm not forcing it to mean something I've already decided.

There were moments where I was being kicked in the stomach, and even though I had this brace on to protect me, I still had to prepare myself for it . You can't be relaxed when that's happening. You have to brace your muscles. I can remember thinking as it was about to happen "Wasn't that how Houdini died?" I think it was.