David Longstreth Quotes

It's just people who grew up in that time are suddenly old enough to be creators themselves, but I think they have a little perspective. I'm 40 now, and I have children of my own. Before I forget my own childhood completely, I want to take some time to take a look at the '80s and think back.

When I was a young kid, almost every other show on television was a Western. And some of them were part of my childhood, I loved them. Like, Rifle Man, I absolutely adored. So, I think everything comes in a cycle.

Nobody in America who wants pot has any trouble getting it, so maybe that's why we aren't seeing support for legalization. People don't think it's necessary to legalize it, because it's so easy to get it.

I think there are contractual problems with me doing more than a couple, but I would love to go back. I just have a lot of fondness for that show, and for the people. When you get something off the ground, it's fantastic and you feel really close to that group of people. Wherever Selfie goes, the fact that we birthed it, we'll always be tied together that way.

I don't think anyone knows why people like [Twilight]. I don't think even the fans know why they connect with it the way they do. It's a visceral thing.

I still go to the conventions, and I like to hear the point of view of people today. I'm a little afraid they're being brainwashed by this new pop-culture. I think it's not really elevating our lives like it did in the good old days of Hollywood, where you had a happy ending. They used to criticize happy endings, but really, what's the point of going to a film if you have to come out hating your fellow man?

I guess personally I really like "Take on Me" by Aha. I think it just defines the 80s and how insane it was and like neon and like calculator watches and that whole thing.

I always think, quite frankly that pop culture is a lot more important than a lot of people realize.

I think the zenith of popular songwriting to the United States of America was that period that started in the '20s and went into the '50s. It was the period of the great American standard song.

Many people are unhappy because there was some point in their past where there was some glory day, and as they get older they're not creating more glory days. They reflect on a time that they will never reach again, and it brings some level of dissatisfaction into their lives. I have circumvented that by simply making incumbent upon myself to always be productive in ways that are consistent with my physical body, my mental state of knowledge, but more important, my presumed growth in wisdom that would come with age.

There are things that are about the entire genre, so it's weird when you look on Wikipedia and people say, "The scene where Angel grabs his fist is from Superman II," and you're thinking, "Ummm, no it's not." Or, "There's a shot from Matrix Revolutions." I'm thinking, "I've only seen Matrix Revolutions once, and will never watch it ever again."

Potentially, America is really the greatest, but it's not yet, I don't think. It's too much like an old-fashioned empire, waving the stick and dropping too many bombs on too many people.

People look to me to see what the spirit of the Seventies is.

I think it's really special to be a part of something that people are still watching or thinking about or interested in, or remember fondly many years later. I don't think it's annoying at all.

I think pop music has done more for oral intercourse than anything else that has ever happened, and vice versa.

People seem to forget what it was like to be a child. I think it's partly because they want to forget, because it usually wasn't as good as you thought it was, and so you want to skip over those things, and not have to relate to that anymore.

I find it interesting to see people - mostly people who are younger than I am - going to considerable trouble to try to reproduce things from an era that was far more physical, from a less virtual day. That fascinates me, because it seems to be symbolic of something going on in the culture itself, and I also have a sort of innate admiration for the stubbornness it requires to actually make those things physically. It's become incredibly difficult. In North America, we've largely forgotten how to do it.

Like most parents, I've been stumped by homework, the big questions, such as: 'What is the point of geography - the pilot always knows where we are going?'. Answer: 'If you didn't know any geography, people would think you were an American, and you wouldn't be able to put them right because you wouldn't know where they live.'

Because I'm associated with an avant-garde sensibility, people think I'm looking down on popular culture, but I don't want to be part of a new elitism.

People have always said since TV was invented what a cultural wasteland it is but I think it is the worst and the best. It is the golden age of television.

The great thing about television is that most things get resolved by the end of the episode. So I think a lot of people watch TV to see something of their real lives reflected on the screen, but also they're hoping for that happy ending.

I don't think there's a problem. First of all, I don't think music turns people into social liabilities. Because you hear a lyric - there's no medical proof that a person hearing a lyric is going to act out the lyric. There's also no medical proof that if you hear any collection of vowels and consonants, that the hearing of that collection is going to send you to Hell.

It's hard to describe to people how terrible it was when you could only watch cartoons at a certain time in your life. But no, I would watch all of them - the Warner Bros. cartoons and the Bugs Bunnys and then the Tex Avery stuff. Looking back on it, they were so incredibly subversive for their time. You'd think, "Oh, they're just making jokes and this or that." But when you watch them as an adult, you think, "Oh no, they were talking about some pretty deep stuff."

I don't think there's a problem. First of all, I don't think music turns people into social liabilities. Because you hear a lyric

People say we're similar with Lady Gaga, that we both mix all these things in the pot and spit them out differently, but she spits it out exactly the same! None of her music's reflective of how weird she wants to be or thinks she is. She models herself on Grace Jones and Madonna, but the music sounds like 20-year-old Ibiza music, you know? She's not progressive, but she's a good mimic.