Nicholas Sparks Quotes

If you're trying to be realistic and bring real life to the screen, you are going to have different elements. That's what I'm trying to do. As I make the movie, different elements come in naturally.

I try to shoot the first rehearsal because people are more spontaneous. People in real life don't really know where they are going to be either positioning themselves or how they will be saying their words. When people goof during the first take, it usually looks realistic.

And all the while, I suppose," he thought, "real people were living somewhere, and real things happening to them.

I want my fiction to feel real most of the time, so it makes sense to pay attention to life and to how people work.

I think there are things that aren't represented in movies that are a big part of everyone's life. We romanticize everything about people in movies. One of the things I don't like in movies is that people feel alone with their bodily functions in the real world, as if people in the movies don't do these things.

But to your point - you also raise a point, too, that it's not that, like, a bromance is necessarily a new thing. It's happened a lot in sort of big budget comedies in the past decade or so. But people have pointed out to us that we're doing a bromance, so to speak, but doing it in a different way that's even more authentic and real and sincere.

I always try to find something or some way of delivering the lines or playing the scene that you wouldn't normally expect. And I know that sounds weird, because it's not like I surprise people with shocking performances. But in an interesting way... Just being real and as interesting as possible. Usually, that stuff is the spine of the show. It's the humor that you need in a scene, in an intense moment or something.

I approach everything the same. I try to make it as real as possible, whether you gotta make people laugh or make people cry, it's always the same approach for me. But if I start doing pratfalls, somebody please pull the plug on me.

There are very few films or plays or anything about really happy people with perfect lives. Everyone is usually screwed up in some way and that is usually where the work comes in - figuring out how to make it believable and make it real to present someone.

I'm not perfect-looking and I don't say the right things, I'm a little different, nothing really special, but I guess I come across as a little more real to people and that comes through on the screen. I know I look young, but with the right make-up I can look older. I definitely feel older.

I use people's real voices because I want realism. So often I mention the actors' physicality because I want it to be like a real documentary.

I think that's why Meryl Streep is working so much, because she looks like a woman we can all relate to. I look at her and I think, 'I'm chasing my kids, I've moved my parents in with me, I'm coping with food spills - that looks like me in real life'. Meryl looks like an unmade bed, and that's what I look like. To me, that looks true.

I want a script to affect me in some way. I am usually drawn to character studies, scripts about real people and the world we live in not some fantasy.

I like to do stand-up for people who live real life.

I was trying to play as real possible - I wanted everything to be real.

Your duty as an actor is to try to make it as real as possible.

I'm not really a person who loves things that are surreal or not grounded in real life or reality. I like that - I want to find something that I can relate to and then maybe do a little bit more and embellish.

That story about the two women in my life is - a lot of people get upset, a lot of people question it. Steven Soderbergh said to me, "The story of your life is incredible. The real story of your life that's interesting, more interesting than all the other stuff - the franchises, the movies, the songs, Elvis Presley, Frank Sinatra - the real thing that's interesting and unbelievable is the relationship with these two women. And if you're willing to put that out there, you know then, you're going to have a great movie. Because that's the movie."

You don't make stupid internet videos or show people you have too much free time, you just say the right things and they'll be like, "Damn this dude's a real person and I can relate to that." That can make somebody's life, that can make somebody's day, that can be a line that they never forget.

I don't watch like Sci-fi or things like that, I'm always more like real life is so endlessly fascinating to me.

I hear people talk in my head and I write it down. I choose where they live and how they dress to be real. That person wouldn't wear that. That person wouldn't say that. She can't afford to live like that. All that bullshit that so many movies have in them. I don't want to see that.

A role model is an imperfect person, not a perfect person, because that's who we are as real people.

What I hate about kitchen-sink dramas is [this idea] that the set is real, therefore you're going to be seeing truth. You have to earn truth. Truth can't be a part of the fact that people appear to talk that way and live in that room. You're looking for the poetry in something, and I don't mean poetry in the fancy sense. Naturalism believes by just replicating a thing you give the truth, rather than earning the truth.

In art as in politics we must deal with people as they are not as we wish them to be. Only by working with the real can you get closer to the ideal.

I might tell a story about somebody else, but I don't sit there and do a story about somebody snitching on me selling coke because people know I didn't sell coke. So I just try to keep it real but still try to do it in a creative way.