Michael Chabon Quotes

Ah, genre. A word only a Frenchman could love.

When a writer calls his work a Romance, it need hardly be observed that he wishes to claim a certain latitude, both as to its fashion and material, which he would not have felt himself entitled to assume had he professed to be writing a Novel.

I got tired of doing battle with people thinking I was a little weird because I wasn't in a band making happy, stilted music. The only people who really seem weird to me are people who think they're normal. People who think it's possible to be normal just by doing the same things that most people do. Is there a most people? I don't know. Television makes it seem like there is, but I think that might just be television.

I don't think the function of writing, at least for me as a fiction writer, is to say to people, "Here's the answer." It's not an op-ed.

If someone thinks I'm a dickhead, fine, listen to someone else's record, then. We're not a totalitarian regime; no one's forced to listen to Coldplay. It's actually quite a compliment if you're something that people can stand against.

It's just people who grew up in that time are suddenly old enough to be creators themselves, but I think they have a little perspective. I'm 40 now, and I have children of my own. Before I forget my own childhood completely, I want to take some time to take a look at the '80s and think back.

I like working in television a lot. It's nice to have a place to go every day and a group of people to hang out with and work alongside with a common goal. But I think I'll always love stand-up more, because there's so much to discover. But you cannot beat television money with a stick. Not with a stick.

People asked me to change my name for [808s]...I think the fact that I can't sing that well is what makes "808s" so special.

As a designer, I'm supposed to be provoking people's reactions, and getting people to see things differently. I think more of us should be doing this. Because yeah, maybe guys are not gonna want to wear my stuff, but they'll think that they can maybe wear something a little bit more than what they've been wearing. That's the only way things move forward.

I have vision boards, and people think that I put the vision board up and I look at it all the time, but what I do is, when I'm having an emotional time and I'm stressed out or feeling bad, I go to the store and get all the stuff for a vision board. Instead of channeling the negative thoughts or being depressed, I change it around and I start making boards.

People think I write fantasy, but I don't; some things may be exaggerated or distorted in the same way that painters distort and alter things, but they're realistic figures. They're perfectly recognisable.

You look on the Internet, and people are transforming themselves on a daily basis, and it's not a superficial thing, it's not a vain thing, and it's not an "I don't like the way I look" thing. It's people truly being creative. It's a way of making your mark and making a statement, and I love that. Beauty is making a statement in whichever way you choose to do so, and I think that's a beautiful thing.

I don't think that many people today, understand the nature of what an improv does for an actor in a specific setting. What an improv does for an actor is help him find the life; it's the life that an actor's after.

I think really what unites psychedelic people is the faith in the power of the imagination.

All preaching should be as creative as we can make it. We've been entrusted with such a treasure. To have anywhere from 50 to 5000 people who give us 30 minutes of their time to hear whatever we want to say - I think they deserve all the creativity that we can give.

I think I've always had an activist stance, yet at the same time, the other side of me - and this is where some people just don't get it, or they'd prefer it if the work was a lot uglier, a lot louder - I have this personality where I just want to put something out that's a fact and then let you interpret it. It's almost as if you might barely notice it, you might walk right by it, but you have to pay attention.

Words that make questions may not be questions at all.

I think because "Dollhouse" was the first story that I put out. It was the first thing that people were able to listen to and find the aesthetic of my music, so I figured we could use that as a title.

What makes people and companies and artistic directors and choreographers interested in working with dancers is the ability to kind of let go of everything you think you know and be a blank canvas.

I think the tools were always available, for decades and decades, to make your own film and be creative. I don't think people had to wait for YouTube to do this type of small project. YouTube, I think it's great. I have this idiotic satisfaction. And I think there's a bit of that in YouTube. You share, true, but it's centralized, and it's already sort of controlled. I'm more for something that's not a centralized medium. Like doing your own film and screening it yourself. You cannot control people doing that.

I think good music makes you feel free, and if people feel free when they come to a show or listen to my music, that would mean the world to me.

You have to have a balance, and I think that people get upset about Hip-Hop and say that it's dead because there is no balance. It's just all this simple-minded music, and it doesn't seem to be any content, and the dance club music outnumbers the little content there is.

I think people face that in any artistic field, this idea of: oh, I could do that, if I had the time.

Sometimes people confuse contrivance and authenticity, and sometimes I think authenticity can get in the way of a good excuse to do something theatrical. I just don't like wasting opportunity - if you're going to do a photo session, if you're going to walk on stage, why not make it interesting?

Like I say, it depends on how you do rock-'n'-roll. If you do it right then I think people will appreciate it for what it is.