David Sedaris Quotes

I don't keep a diary or a journal. Sometimes I'll send emails to friends and that's a way of recording what I was thinking at any given time. But I've never been a journal keeper. I feel like part of that is because I'm always on deadline. I've been a freelancer my entire career and, at any given time, I have several deadlines for all sorts of things whether it's some magazine piece or ad copywriting or anything. Obviously, people with deadlines keep journals all the time but, for me, the idea of doing more writing is never appealing. It's why I never blog.

I never wrote anything down. I never kept a diary, never kept a journal. I did write one letter home about touring with the Doors that I used as a reference for the book for some details there, and then I was glad I had that, but that was it.

I write on a laptop, so it's impossible to count drafts anymore.

Now I don't drink, and I get up in the morning and I write in my diary, and I can write in my diary for hours if I feel like it. And I'm still sober so I can write the stories that I'm working on, and I can sit at the desk as long as I need to. So that changed a lot, I think.

Writing is hard, but the more you write, and enjoy what you write, the better it gets.

I always loved writing, but I feel like I really started writing when I got my BlackBerry . It was the first time I could take these crazy thoughts in my head and actually get them out. This little device became my journal on the road.

Nothing improves your writing, I think, as much as your keeping writing.

To be a good diarist, one must have a snouty, sneaky mind.

Writing doesn't come easily to anyone, I think, certainly not to me. But pressure and practice does lend a certain fluency, I think - the more sentences you write, the more sentences you have written, if that slightly Zen confection makes any sense.

I think my writing has become "cleaner."

I must try to set aside half an hour in some part of my day, and consecrate it to diary writing. Give it a name and a place, and then perhaps, such is the human mind, I shall come to think it a duty, and disregard other duties for it.

I wish I could [keep a journal]. I have a lot of journals with one page half written in. I sometimes will write myself a quick email on my Blackberry when I think of something.

I write exclusively using computers. Pens and typewriters can fsck right off - I wrote my first half million words in my teens on a manual typewriter (had to trade it for a new one due to keys snapping from metal fatigue) so I am not a pen or typewriter fetishist.

If I tried to write long-hand, I suppose I'd never finish a novel. I edit too much as I write - the paper would be "white-out" and sharpie marks. Writing with a computer works for me, so I stick with it.

Sometimes when you write a thing you think, 'Oh, this is good', and it's not a modesty or an immodesty thing, you just... it's just the same with anything; when you write a piece you just figure, 'Oh yeah, I'm on a roll here. This is good; I'm getting the hang of this'. Some pieces are better than others.

I think I became a better writer after I started writing for the New Yorker. Well, I know I did. And part of it was having my New Yorker editor and part of it is that was when I started really going on tour and reading things in front of an audience 30 times and then going back in the room and rewriting it and reading it and rewriting it. So you really get the rhythm of the sentences down and you really get the flow down and you get rid of stuff that's not important.

I think that if I get into the habit of writing a bit about what happens, or rather doesn't happen, I may lose a little of the sense of isolation and desolation which abides with me. My circumstances allowing of nothing but the ejaculation of one-syllabled reflections, a written monologue by that most interesting being, myself, may have its yet to be discovered consolations.

I think writing for anybody helps you order your life. It helps you arrange your emotions and your thoughts and it helps to provide perspective.

Writing helped me understand what I was thinking about.

I try to write in the morning when I'm working on a novel. You get up, you have breakfast, you read the paper, you make a couple of phone calls, and then you sit on the couch and start. I use felt pen and white notepaper.

I binge-watched this show Damages. Glenn Close and Rose Byrne are so good. Lily Tomlin is in it. You see all these great actors and the writing is terrific. There are a lot of shows like that. And there are all these conversations right now about roles for women and being paid equally and all of that, but I think what it really is, is opportunity.

Ready writing makes not good writing, but good writing brings on ready writing.

You know, I don't want to be offensive. But 'Infinite Jest' [regarded by many as Wallace's masterpiece] is just awful. It seems ridiculous to have to say it. He can't think, he can't write. There's no discernible talent.

Before I studied story, I was trying to write a novel, and it was terrible. It wasn't going anywhere, and I couldn't figure out what I was trying to do. It was really hard; much harder than I thought it was going to be. Now that I've studied story, I think I'd have a different approach and maybe I could actually get it done.

Some writers find that they don't know their themes until they've finished the first draft (I am one). They then rewrite with an eye toward balancing on that tightrope: not too contrived, not too rambling; does what I'm saying about the world below me actually add up to anything? Other writers pay attention to these things as they write the first draft. Either way, an awareness of the macro and micro levels of theme can provide one more tool for thinking about what you should write, and how.