Vanessa Kirby Quotes

[Princess Margaret] was loud, an extrovert, an exhibitionist, loved fashion, loved color, loved music, loved drama, loved the theater, wanted to be a ballerina or actress, was always the little one putting on the school plays, and [princess] Elizabeth reluctantly did it and got stage fright.

Chloe Sevigny always dresses appropriately but doesn't blend in with the crowd.

I'll look at superheroes and comics and stuff and wonder, 'Why wouldn't you dress like that if you could?' With fashion, I look at it as a way to express that. I don't really pull any punches on it; otherwise, you get caught up in this nexus of dressing like everyone else.

No one should feel at all offended or threatened by the obvious fact that we are not all born entirely blank, or entirely the same, in our mixture of the broad behavioral propensities defining what we call "temperament".

I had spent the whole of my savings ... on a suit for the wedding - a remarkable piece of apparel with lapels that had been modelled on the tail fins of a 1957 Coupe de Ville and trousers so copiously flared that when I walked you didn't see my legs move.

But our comedies never endured long without a tragedy.

I really enjoyed stepping into that side of [princess Margaret] and being silly and naughty and fun.

Better the hard truth, I say, than the comforting fantasy. And in the final tolling it often turns out that the facts are more comforting than the fantasy.

I imposed black; it still going strong today, for black wipes out everything else around

What is left over if I subtract the fact that my arms goes up from the fact that I raise my arm?

Can you imagine a 6 year old banging all day on a drum kit. I do have photos of me in my sort of princess girly bedroom with a bad-ass sparkle set.

I love the contrast of this side of [Dolores from the Westworlds] coming out, this tough fighter coming through this sort of Disney princess. There's something really powerful about that. But I was really excited to get some pants.

I naturally think in terms of comedy whenever I see anything because tragedy is so close to comedy, so I like to add the tragedy to the comedy or a little bit of comedy to the tragedy in order to make them both feel more real to me.

Comedy and I were never strangers, it's just that I was doing a lot of drama.

It is curious how much more interest can be evoked by a mixture of gossip, romance and mystery than by facts.

[Princess Margaret] was always trying to radicalize things.

I cross out words so you will see them more; the fact that they are obscured makes you want to read them.

You can't have good comedy without drama in it.

Clouds are no deterrent. Clouds intensify the drama, trap and shape the light.

Marking the differences between them was really important. It just became second nature. When we were choosing pajamas or something, instantly you'd be able to spot: those are [princess] Margaret, those are [princess] Elizabeth. It became this sort of language, really, of the two sisters.

The only human being I could tell everything was my sister Françoise. She and I were so diametrically different; put together we would have been a fantastic woman.

I love drama - I would say more than I even love comedy - but I like in One Mississippi that I can go from a very moving moment to a Willy Wonka tube up my ass. I like the silliness as much as I like drama.

I am basically a blazer. If I were a clothing item, I would be a legging and a blazer.

Tales of adultery are much improved by period costumes.

Is this the Olympics or One Life to Live?