Rene Redzepi Quotes

Earlier in my career, I was really tight, really together, and knew who I was and I was confident. I kind of feel in between now.

I've worked for a long time, but I got to the point where I felt like, I am out here so far, how do I get back? I want to have a real life, a personal life. I didn't want a personal life I just visited.

I shouldn't still be working out how to be misanthropic singleton comic when I'm 60. I should have moved on by then.

It was one of those early mid-life crises, really. I started asking myself, 'What is it that I want from my life?' This question kept haunting me: 'Do I want to be a lawyer who always wanted to be a writer, or do I actually want to be a writer?

I recommend free writing in the morning and the evening as a type of mental shower.

The writer learns to write, in the last resort, only by writing. He must get words onto paper even if he is dissatisfied with them. A young writer must cross many psychological barriers to acquire confidence in his capacity to produce good work-especially his first full-length book-and he cannot do this by staring at a piece of blank paper, searching for the perfect sentence.

One of the things that draws writers to writing is that they can get things right that they got wrong in real life by writing about them.

I always thought I'd write when I retired - when I turned 65. But by the time I was 33, to tell you the truth, I was a little bored with drugs and sex, and I thought I'd do the writing thing.

I've often said to myself, "Thank God I can write, 'cause this is hilarious." I actually wanted to go into all that more in the book, but my editor thought it was too crazy.

Writing mirrors the interior self. You know, any book is like the perfect blueprint of the psyche of the author.

I think theres just this mystique of writing a book that appeals to people. A person has to really check their motives and say, Am I really being called by God to do this? Or is this just something that would look neat in my funeral? I dont mean to be harsh but I think a person really needs to, so they wont be disappointed.

My career was about to change radically, in turning 50 I had hit the age where my Dad made a big career and his life started to unravel.

My friends tell me that I am an intruder, that I don't really write when I attempt poetry. But those of my friends who write in prose say that I'm no writer when I attempt prose. So really I don't know what to do, I'm in a quandary.

Here's the thing: The book that will most change your life is the book you write.

I think writing kind of burns out the flaming question. Sometimes it might feel like when you're living with certain paradoxes and they're unarticulated, you feel pressure to choose. I feel more comfortable living in the paradoxes that I've named and laid out, whereas when I started they might have felt like real agitations. At least I see them more clearly after having sketched them for myself and made a place to stand in relationship to them that felt okay enough to last through the course of a book.

When I look at myself as a younger actor, I see what a tight ass I was. I had a pretty big shadow because of my father and the comparisons. I was self-conscious about that. Now I realize there was nothing to be worried about.

I was the person who did academics until the middle of the day, then went on auditions. I think there was a moment later in my life where I was like, "What am I doing? Why am I so serious?" .

Why do I write? The truth, the unvarnished truth, is that I haven't a clue.

Middle Age At forty-five, What next, what next? At every corner, I meet my Father, My age, still alive.

Remember that the writing itself is good for you. If your story is so close to home that you are afraid to write it, it probably means you need to write it.

I think the songs I was writing after Aeroplane were full of a lot of undealt-with pain that was just a little too big... the issues seemed too large for me to confront intuitively through songwriting. I kept pushing it and pushing it. There are so many issues about being human and why people inflict pain on each other. There were seeds of all these things I hadn't dealt with. With just the personal issues, I felt I was in over my head, but then to write about it... To write you have to have at least a little bit of confidence you know what you're talking about.

I know I'm tired of thinking about what I should have done yesterday. I know I'm just tired. If I knew what to do with my life, how to fix it up, I would have done it a long time ago. You can't dig that? You think I want to live like I'm somebody's throwaway?

One of the other reasons for writing this book [My Beloved World] was to hold on to the person you first met. More of the world knows about me now and follows me in a way that never happened before. I didn't want me, the inside of me, to change. Because I liked Sonia, the Sonia who has been. So another reason for writing the book was to hold on to that - whatever the best in Sonia was, to try to capture it.

I never thought I could write this much and now that it's coming to an end, I feel sad that I have to stop, sort of the way you feel at the end of a really good book and you know you're going to miss the main character. But in this case, the main character is me! Myself. Joe (formerly JoDan) Bunch. —Joe Bunch

I do think that just about whenever I am writing, or more accurately, whenever I have written, I feel better and more at peace as a human being. That doesn't mean, unfortunately, that the literary product is any good.