Egon Schiele Quotes

I definitely wanted the second record to be a much more grandiose thing. I wanted to push myself and make a big statement.

I will be an artist or nothing!

Our aim is to take our art to the world and make people understand what it is to move.

Where art and business intersect is a challenging hurdle for a lot of people, reconciling the fact that not everyone is going to make it in the same way. Yeah, you have to be a little selfish, probably.

The people no longer seek consolation in art. But the refined people, the rich, the idlers seek the new, the extraordinary, the extravagant, the scandalous. I have contented these people with all the many bizarre things that come into my head. And the less they understand, the more they admire it. By amusing myself with all these games, all this nonsense, all these picture puzzles, I became famous... I am only a public entertainer who has understood his time.

I think art should be controversial. I think it should make people think.

The thing is, if people get it right away, I just don't think you're making art. I think you're making something they're comfortable with. You have to challenge people. You know, it has to be new. It has to be something they haven't seen before. Just bring them something they haven't seen before. They aren't going to love it right away because they haven't seen it before. So they have to take a minute, you know?

I used to say that I wanted to make great art with people I love. Now I have an addendum to that goal: to get things on the air.

I think I'm an ambitious artist but you have to understand the measure of your influence on people. You're not going to change people's lives with your art. What you do is you give them a little pat so that you change the course of the direction that they're going.

People want Art. And they are given it. But the less Art there is in painting the more painting there is.

The sight of a Black nun strikes their sentimentality; and, as I am unalterably rooted in native ground, they consider me a work of primitive art, housed in a magical color; the incarnation of civilized, anti-heathenism, and the fruit of a triumphing idea.

My art school rejection letter arrived as a cold manila fist that closed around my fragile hopes ... The fear was practically edible. Nothing would happen unless I get out and make it happen. Then, as if handling me the keys to the jet pack, my dad bought me a typewriter and a taped message to the inside of its case: "Son - the world is waiting to hear from you".

The history of art is filled with people who did not live long enough to enjoy a sympathetic public, and their misery argues that criticism should try to speed justice.

Art is really people asking the eternal question, "What is it all about?"

I was always a performing arts kid in general - but I felt like my ultimate goal was to be an actress and be in films.

I have a lot left inside. I believe my art will last 500 years, 1,000 years and forever. For me, art is everything. I will strive to create works of art until I die, in the hope that my work will continue to touch the hearts of people even after I have died.

What is saved in the cinema when it achieves art is a spontaneous continuity with all mankind. It is not an art of the princes or the bourgeoisie. It is popular and vagrant. In the sky of the cinema people learn what they might have been and discover what belongs to them apart from their single lives.

I live art, I respect people, and I've found what I want to do in life - I've found what makes me happy.

I think I'm always very naïve. With 'Kill Your Darlings' and 'Horns', I'm like, "Why wouldn't everybody love this?" But I guess it's going to divide people in some ways. But if you're willing to go with it and suspend your disbelief, you're going to get something amazing and something unlike anything else.

But in Hiroshima, some people were wiped clean away, leaving only a wristwatch or a diary page. So no matter that I have inhibitions to fill all my pockets, I keep trying, hoping that one day I'll write a poem I can be proud to let sit in a museum exhibit as the only proof I existed.

In the art world Robert Rauschenberg had been combining common materials that people thought was art and beautiful, and it was. If he could do that, I could emulate him.

My heroes among filmmakers would be people like Buñuel and Pasolini, who were of very high cinematic intelligence, but tread on a lot of toes.

I just really care about what people see. I want them to know that I'm working hard for this. The artists that I look up to like, you know, Michael, Prince, James Brown. You watch them and you understand that they're paying attention to the details of their art. And they care so much about what they're wearing, about how they're moving, about how they're making the audience feel. They're not phoning it in. They're going up there to murder anybody that performs after them or performs before them. That's what I've watched my whole life and admired.

People are deeply nourished by the process of creating wholeness.

I tend not to work with a specific person in mind. Art is a matter of statistics. It's not about individuals. It's about people.