Donald Ray Pollock Quotes

In my experience as a director, I think there is obviously something of the way men - maybe that's a common point with Shirin - the way men see women in the film, and the way these two characters see each other.

One thing I've learned as an actor as well as a producer is to trust my own instinct. When I first started acting I would sometimes have ideas about certain things, whether it's a scene, or a character or certain dialogue, that wouldn't be followed. I was never in a position to have the power to press the matter. Sometimes it wasn't even about my character. But I'd watch the movie afterwards and think I was right.

I think a lot of the criticism had to do with disliking the characters - which, again, I take as something of a compliment.

I think that there are a lot of great studio people but the fewer voices in my head when I'm getting out a draft, the better. I just get it out and then I'll listen to all manner of good ideas. And that's what happens, too, when I'm touring and doing a character on stage.

I tend to think of fiction as being mainly about characters and human beings and inner experience, whereas essays can be much more expository and didactic and more about subjects or ideas.

The writer's original perception of a character or characters may be as erroneous as the reader's.

A friend of mine is trying to do a documentary where he brings Jewish and Arab comedians to occupied territories in Israel. He wants to do shows as a way of finding some comedic common denominator. When he proposed the idea to one of the officials at the Jenin refuge camp, the guy just stared at him and said, "This is not a joke to us. We don't think that laughing is the answer."

Our character is composed of our ideas and our feelings: and, since it has been proved that we give ourselves neither feelings nor ideas, our character does not depend on us. If it did depend on us, there is nobody who would not be perfect. If one does not reflect, one thinks oneself master of everything; but when one does reflect, one realizes that one is master of nothing

Beauty is only skin deep. I think what's really important is finding a balance of mind, body and spirit. Someone said to me not too long ago, "Until you're twenty, you have the face you are born with, and after that you have the face you deserve", and I really loved that - the idea that you wear who you are on your face.

There are actors I know personally, or I've heard them say, "The less known about me, the better, because I just want people to think of me as the character." I think Matt Damon said that recently. He has a point and I think I get that.

I find that at almost every press junket I get that comment, "this character's different from what you generally play..." And that's OK! But I think "generally play" stems back to Mr Darcy. I'm fine with it but I tend to find that if it's a departure, which in other people's words it always is, it's always a departure from that.

I think that American audiences are more used to following one character.

The idea of a commonwealth relationship is alien to most people but I think that's true generally.

Yet Donald Trump gets off the plane in Saudi Arabia, gets off the plane in Israel, and is overwhelmingly respected and welcomed and appreciated. I have to think that it's not all just because he has the title of president. I think it's a stunning contrast. How can these two completely different characters exist: The Donald Trump of Washington and the Donald Trump of this trip?

The lack of predictability with television is something that's constantly changing what your perception of who you think your character is.

The purpose of this is not show that I can do it better, because I think Superman is perfect. The original creation of Superman nobody could have done that better and I think Batman is pretty much a perfect character... The same with all of them. I'm just going to try to find a way to say, "If that wasn't the original idea, what would be another way to do it that would be more in my style?".

I suppose that the sympathetic/unsympathetic debate about characters sometimes feels to me like a misstatement of purpose. I always think of truly complex characters are falling between the cracks in that debate.

In the 1950s that tug-of-war between the expectations of behaving normally and the limitlessness of thinking freely produces some very strange characters.

Designing for me is a very complex process. There are many ideas that I want to express in one object, very often contradictory. The creative process in Miu Miu is completely different from that of Prada. Miu Miu is not as complicated and thought out as Prada. Rather than being young, Miu Miu is immediate Prada is very sophisticated and considered; Miu Miu is much more naive. The solution, when I am working on Miu Miu, has to come immediately, instinctively, spontaneously with whatever is available at the moment. If I think three times, I stop.

I like shorter jokes. I like fewer words. I think the more ideas there are the, the fewer words there should be.

I think when I started acting it was the first time I got the freedom of expression. I was able to express certain emotions and feelings that I could put into other characters, so it was a good way for me to run away from ho I personally was. I could be a ninja, I could be a pirate or I could be in a play y'know.

In my theater days I assumed that you had to get rid of yourself to do a character well, and I don’t think I was a very good actor when I did that.

What we did was to try and exploit that spirit [the idea of giving], which was there even before I approached individual South Africans [to give to the Nelson Mandela Children's Fund]. I think we must start from that angle.

I am not responsible for what other people think. I am responsible only for what I myself think, and I know what that is. No idea I've ever come up with has ever struck me as a divine revelation. Nothing I have ever observed leads me to think there is a God watching over me.

Some societies are also more optimistic than others: the U.S. and Australia are my two picks Tell a European you think there’s a housing bubble and you’ll have a reasonable discussion. Tell an Australian and you’ll have World War III. Been there, done that!