Gwendoline Christie Quotes

I was really unfit last year, so I worked out for a long time, then spent time by myself in Oregon. For about two months the only person I saw was my trainer. Every day I did a lot of running and I just didn’t want to talk to anyone for two months. So when I started talking again, it was like you would communicate wrongly, like you wouldn’t really remember how to speak. That was one of the key things as well as just reading the book, reading the script a million times, just figuring things out.

I was lazy. I would have been a hell of a lot better actress had I taken it more seriously. I never had the proper respect for acting. Quite often, I learned my lines on the way to the studio.

When I was a boy, I was really thin, small, long-haired. I always looked young. People thought, 'He can't play football.' I used that to my advantage.

Before the film begins shooting, in your head, you need to be the character. You have to convince yourself somehow.

They usually say as you get older, you can't get better, but that's not true. I'm living proof.

I'm proud of my driver test. So many people were waiting for me to test and fail, so they could say that women would never be able to race in F1. I always view my time in F1 as before and after the test. Beforehand, I could sense everybody asking, 'What's she doing in the F1 paddock? Is she good enough?' After my test, that attitude changed.

I want women to be comfortable with being imperfect. I immediately see how girls are afraid to try things that they won't be good in. And women stay with the things they're good at even if that's not what they're put on this earth to do.

I have to tell you, it's very boring, but before I did yoga, I was a stand-up comedian who can't stand up. And now I can stand on my head.

I was never a sporty kid. Then I discovered my physicality and running and endorphins.

When I was with PSV Eindhoven in Holland, some people still thought Asian players weren't good enough to play in Europe. It's always good to rise to the challenge and prove them wrong. When I first came to United, I had to prove my ability again.

I love opportunities to do something I'm not supposed to be able to do. Hell, that's my career.

I've shattered every negative stereotype people had about me.

Give me 30 days, I'll change your body. Give me 60 days , I'll change your life

Every time a book changes hands, every time someone runs his eyes down its pages, its spirit grows and strengthens.

I do Ashtanga yoga three times a week, and I run a couple of times a week, too. I really like yoga; I enjoy the actual doing of it, so it doesn't feel like the agony of the gym felt like to me.

[Having perosonal trainer for the movie 'The back-up plan'] I felt like I had just given birth. He was like, "You can't eat anything but this. You've got to do what I say." So along with doing the film, I did this kind of disciplined workout regimen, because every cheese farmer is ripped and buff, and I wanted to be true to character, because I'm Method. But it took a lot of hard work to get there. You can rest assured in the fact that it's all gone now.

I'm getting fat ... as I planned. Luckily, my gut is intentional. I'm actually preparing for a big role. Sure, it's a cinnamon roll.

I always pushed myself. Whenever I felt I needed to stop, I made myself run faster.

I’ve been an actor for 10 years now, and if anything I want to talk more about my dad. He taught me that even if you get past the casting director’s door you’ve still got to do your homework: you’ve still got to work hard.

Especially in New York, where things are quite chaotic, I work out to stay grounded. Having that time, whether I'm running or doing yoga I get to challenge myself by creating mini goals and have little personal victories.

Most of actor's work is done at home, in your hotel room, in the wee hours of the morning thinking and reading and feeling, walking around and listening to music. It really just because an internal exercise, whatever skills. It's great if you have to learn something new for a gig and designing a character physically is always fun but it does become an internal exercise in separating the wheat from the chaff.

I have been tested. I have beaten breast cancer. I have buried a child. I started as a secretary. I fought my way to the top of corporate America while being called every B word in the book. I fought my way into this election and on to this debate stage while all the political insiders and the pundits told, "it couldn't be done."

I have taken as much as six years to prepare a book for writing. There is such a delirium of effort in the production of a book; it's like childbirth. And, like childbirth, one forgets the pains immediately so that when you come to write another one you dare to take it up again. Some precious anesthesia sees you through.

If someone had said to me before I started doing this that a human being is capable of running 100 miles nonstop, I would have just said: 'No way. I mean, how?' If you just go out there and run 100 miles, it breaks down a lot of barriers in terms of self-imposed limitations.

I think that most of my books are part of some process of self-education, often about the places I go to. Most of all, they are about the peculiar tension between institutional loyalty and loyalty to oneself; the mystery of patriotism, for a Brit of my age and generation, where it runs, how it should be defined, what it's worth and what a corrupting force it can be when misapplied. All that stuff is just in me and it comes out in the characters. I don't mean to preach, but I know I do, and I'm a very flawed person. It's quite ridiculous.