Suniel Shetty Quotes

'Collateral' poses lots of questions and does it within the format of a really good, tense thriller. It starts at a real pace, and it doesn't let go.

It is unlike the quintessential thriller where someone is up to something and the audience is speculating. 'Johnny Gaddaar' is the opposite of a thriller. In this case, the audience knows right from the outset what transpires and who the likely culprit is. It is a suspense caper.

'Ajnabee' is a thriller. I play a married man trapped by mysterious circumstances. The film does have a lot of romance and action, but it's not based on 'Consenting Adults.'

'Jack Ryan' is a very fast-paced, very contemporary, very action-driven thriller.

'The Expats' is a thriller, but one that tends more toward general fiction than toward breathless pulp.

I like a good suspense thriller when it's smart and well done like 'Armed Response' is.

'Ten Days in the Valley' has everything: It's a thriller, it's a taut, exciting love story, and it has the kind of character our audience loves - a strong, powerful woman who is also dangerously flawed.

I grew up on courtroom dramas, and I really love the feel of a dramatic thriller.

Sheesha' is a thriller. It was exciting to play my first double role in the film.

A thriller needs to hold the interest of the reader from the very beginning. It needs to engage with them, hold them in rapt attention, and prevent them from putting down the book.

I have produced my first film titled 'BMW.' It is a thriller, which has been made keeping in mind the international audience and Indian as well. It is an intelligent thriller and well-made, which will hopefully be appreciated in the international circuit.

I find the horror genre quite challenging. That's not to say everything I've done has been straight horror - a lot of them have been more on the thriller side. But regardless, I find it the most challenging as an actor to create sheer anxiety and terror out of nowhere because there's nothing scary going on and you have to act like it is.

I thought 'Gone Baby Gone' was really modern in showing a couple going on an adventure.

'Without a Trace' analyzes criminal behavior in the special context of a disappearance. We consider it a suspense thriller.

For something like 'Line of Duty' to work, it has to be both plausible and unexpected.

For me, I really like the human drama embedded in a crime story, and I like the way European films do that.

One of the things that I love about crime novels is that you can turn the volume all the way up. If I can make somebody blow their subway stop, I win.

Pete Moffat writes crime conspiracy thrillers so beautifully. He goes places other people wouldn't; he is fearless.

I think 'The Condemned' has a great story. It's a lot more than a mindless action flick.

'The Da Vinci Code' and films of that nature are the ones that I really enjoy because you are learning and working out riddles as you go along.

So, yes, 'Codename Baboushka' is all-action and over-the-top, at least by my standards. But it also has a complex, multifaceted protagonist, a deep mystery at its core, and a kind of humanity that, through all the bullets and high-kicks, is really the soul of the book.

Noir focuses on the criminal mind, not a whodunit: more why they did it and will they get away with it. The abnormal psychology is what fascinates me rather than the puzzle-solving aspect.

'Nothing But the Truth' is a journalistic thriller that is set during the end of days for print media.

In 'Stree,' I play a character who believes that he knows everything. And I play a cop in 'Drive.' It is a different kind of a role. It is not a uniform-wearing character. The film is interesting, since it is a thriller.

Mass market paperback thrillers are a dime a dozen. The trick is to find something that actually sticks to the ribs.