Randy Orton Quotes

Dance has helped me with everything. It was a great foundation for discipline, hard work and, unfortunately, the ever-elusive idea of perfection. It lends itself easily to fight choreography, because that's what it really is. Choreography. And knowing how to move with someone.

A lot of heroines ask me to make the dance steps easier.

I tap dance.

I feel I can handle the architecture of dance as well as anybody.

I feel like dance, by its nature, goes so easily to grand and beautiful.

I always considered myself a dancer before anything else.

Dance has always been my number one. I started when I was seven years old and I've had the opportunity to work with some really amazing artists.

Kleiber was the perfect dancer - so perfect that you could see the process. After all, dance is a process; it's a series of snapshots. Kleiber knew how to connect people to the flow, so he could stop managing people.

Soledad Barrio is clearly a master - of thrilling steps and passionate movement. She stalks, she circles, she struts, she snaps her head - her feet drill the stage.

How can we know the dancer from the dance?

I've been dancing my entire life. Jazz, hip hop, ballet. And then there's tap dancing. I love to tap.

When you understand how to do that dance, when the photographer says, 'Hold it, do it,' and you know you're getting it right, oh, the fun. It is fun.

When I was really young, my mom enrolled me in dance classes.

I started with ballet, and once I started to really like it, I got into more - I did jazz and tap, and then kept going.

I have a strong dance background. I danced from age five until 18, and that helps a lot. Doing a fight routine is like doing a dance routine.

Dancers are a work of art - they are the canvas on which their work is painted.

Dance is a universal language, and whether you know how to dance or grew up training in dance, you have a respect for people who love to dance, and it's also visually very entertaining to watch a great dancer.

As ballerinas, we don't use our voices. Our voice is the body and the movement quality.

Absolutely, I'll always be a dancer.

Dancing isn't easy, and to just jump into three to four hours of rehearsals a day is a lot.

I love to watch people dance. It is the most fantastic skill and art form that anybody can have.

My movement is usually about finding the balance between artistry, athleticism, and musicality. It always originates with a classical basis and expands outwards from that platform.

I am a dancer at heart.

I've done a lot of dance sequences because I like them; I like to animate dancing because it's fun and visual.

There are people who take tap class, do a tap dance. And then there are people who know the dance, who know why they take tap classes. Who know why they do 20 shuffles, or 50 shuffles, before they go on.