Etgar Keret Quotes

If writing novels is like planting a forest, then writing short stories is more like planting a garden.

I always think I know the way a novel will go. I write maps on oversized art pads like the kind I carried around in college when I was earnest about drawing. I need to have some idea of the shape of the novel, where its headed, so that I can proceed with confidence. But the truth is my characters start doing and saying things I don't expect.

A novel is a great act of passion and intellect, carpentry and largess. From the very beginning, I wrote to explain my own life to myself, and I invited readers who chose to make the journey with me to join me on the high wire.

I write short stories when a little idea occurs to me, that I know isn't a part of a novel that will stand by itself and should be concentrated.

I studied the short story as part of my creative writing course at university but then set off as a novelist. Generally, there is a sense that even if you want to write short stories, you need to do a novel first.

I discovered ... that a novel has nothing to do with words in the first instance. Writing a novel is a cosmological matter, like the story told by Genesis (we all have to choose our role models, as Woody Allen puts it).

It's the form it takes when it comes out the other side, of course, that gives a story something unique--its life. The story, in the way it has arrived at what it is on the page, has been something learned, by dint of the story's challenge and the work that rises to meet it--a process as uncharted for the writer as if it had never been attempted before.

In order to be a living, breathing thing, a novel has to be failed in some kind of way. Or at least that's how I keep writing them.

When I submitted samples, I had only written stories to give myself something to draw. I was told, "The art is good, but not quite professional yet. But, I like the writing." I've been a writer for almost a half a century. It's very cool.

I met, not long ago, a young man who aspired to become a novelist. Knowing that I was in the profession, he asked me to tell him how he should set to work to realize his ambition. I did my best to explain. 'The first thing,' I said, 'is to buy quite a lot of paper, a bottle of ink, and a pen. After that you merely have to write.'

You learn by writing short stories. Keep writing short stories. The money's in novels, but writing short stories keeps your writing lean and pointed.

You may be able to write a novel, you may not. You will never know until you have worked very hard indeed and written at least part of it. You will never really know until you have written the whole of it and submitted it for publication.

I think of myself as a songwriter, a weaver of story and imagination in a way that a novelist might write a book.

I like to write short stories more because I never met a writer who wasn't lazy. And a short story is, by its very definition, short. It is something that generally you can turn out in a week to two weeks depending on how well it goes for you. But, at the same time, it gives the same satisfaction of creating a complete world.

The writing of a novel is taking life as it already exists, not to report it but to make an object, toward the end that the finished work might contain this life inside it and offer it to the reader. The essence will not be, of course, the same thing as the raw material; it is not even of the same family of things. The novel is something that never was before and will not be again.

Every few weeks she would shut herself up in her room, put on her scribbling suit, and fall into a vortex, as she expressed it, writing away at her novel with all her heart and soul, for till that was finished she could find no peace.

I suppose I am a born novelist, for the things I imagine are more vital and vivid to me than the things I remember.

A ten- or twelve-page story seems too easy, which is a funny thing to say considering that writing a decent short story is devastatingly difficult. Yet it still seems easier than a novel. You can turn a short story on a single good line - ten pages of decent writing and one good moment.

When I write, I write everything from a rhythm point.

A novel, at least for me, cannot be visualized at one time.

I do just as much world-building in a short story as I do for a novel.

Whether I'm writing scripts or prose, the goal is identical. To give pleasure. Now whether I succeed or not is up for debate, and, mostly, I fail. But I try. I like to make things. It's a way to stay busy during one's ephemeral and confusing life.

Yes, writing a novel, my boy, is like driving pigs to market - you have one of them making a bolt down the wrong lane; another won't get over the right stile.

Whenever I get lost in a novel I just throw a poem in. What it does is flare up, and it's so illuminated that I'm able to see where to go. I write between these illuminations.

The only good grades I ever got in school before I was kicked out were for creative writing. I thought that fiction might be in my future but then my career took a different path once the Beatles showed me what a blast being in a band could be. Writing my memoir Late, Late at Night reminded me how much I love the craft. So I decided to give fiction a shot again.Magnificent Vibration is the result. I’m still not quite sure where it came from, but once I got going, it practically wrote itself. I’ve heard writers I admire speak of that phenomenon, so maybe I’m on the right track.