Werner Herzog Quotes

Today when I begin writing I’m aware: something that I don’t understand drives this engine.

There is something in our minds like sunshine and the weather, which is not under our control. When I write, the best things come to me from I know not where.

It often happens that things come into the mind in a more finished form than could have been achieved after much study.

My passions drive me to the typewriter every day of my life, and they have driven me there since I was twelve. So I never have to worry about schedules. Some new thing is always exploding in me, and it schedules me, I don’t schedule it. It says: Get to the typewriter right now and finish this.

What happens a lot with songwriting is that a melody or rhythm or something stays with you like catching a cold. And during that time what happens is that I can then fit things on to it, it all fits and glues together. Sometimes it's crazy cos it can almost be anything. But if you catch the cold then the nonsense makes sense. It's like you're getting beamed it, like with a ouija board and something's pushing your hand. It's not a pleasant experience necessarily.

You feed yourself. Make sure you have all the information, whether it's aesthetic, scientific, mathematical, I don't care what it is. Then you walk away from it and let it ferment. You ignore it and pretend you don't care. Next thing you know, the answer comes.

Writing is a consequence of having been 'haunted' by material. Why this is, no one knows.

There are certain phrases in books of mine, and I don't know where they came from, or how I was capable of thinking up these formulations. It's only in the heat of composition that these things occur to you.

In making movies, time is so short-because it is so expensive-that we tend to neglect the place from which the best ideas come, namely that part of ourselves that dreams. The unconscious is our best collaborator.

Generally, I don't want to do things. I feel lazy and unmotivated. It's only when an idea grabs hold of me and I can't get rid of it, when I try not to think about it and yet it's ambushing me all the time. I'm thrown up against a wall. The idea is saying to me, "You have to pay attention to me because I am going to be the future of your life for the next year or two or five." Then I submit. I get into it. It's something that becomes so necessary to me that I can't live without doing that project.

When I write, I don't know what is going to emerge. I begin in a condition of complete unknowing, an utter nakedness of concept or goal. A word appears, another word appears, an image. It is a moving into mystery.

Stories have a richness that goes way beyond fact. My writing knows more than I know. What a writer must do is listen to her book. It might take you where you don't expect to go.

I don't go through a torturous intellectual process to decide what to direct. I know what I want to direct the second I read something or hear a story. I just know when it grabs me in a certain way I want to direct it. And then I spend the next four to six months trying to talk myself out of it, because directing is really hard! But it's true, I know essentially when and what I want to do next... it's an undeniable feeling I get and it's not the same feeling I get when I wind up producing something.

The definition of genius is that it acts unconsciously, and those who have produced immortal works have done so without knowing how or why.

I always work better when I do not reason, when no question of right or wrong enter in,-when my pulse quickens to the form before me without hesitation nor calculation.

I think subconsciously or selfishly I knew that I was supposed to do something. It was like a thumping or a throbbing saying, "Yes, this what you've been waiting for." But you're a little dim to those spiritual thoughts when you're dumb like me. So I did have to get a little bit of a kick. I played it for a bunch of people and I think their reactions were warm and deep enough that they gave me the courage to get [the record] out there.

Sometimes the best ideas I have are in my bathtub or in my bed or in my dreams early in the morning before waking up ... I'm like a TV antennae, I catch it all and do it my way.

Songwriting is like ... being possessed. You try to go to sleep but the song won't let you.

When the idea comes, I often can't remember where it came from. I remember very little about writing the first series of Hitchhiker's. It's almost as if someone else wrote it.

It seems the best work I do is when I am really allowing the unconscious to rule the page and then later I can go back and hack around and make sense of things.

The writer doesn’t write for the reader. He doesn’t write for himself, either. He writes to serve…something. Somethingness. The somethingness that is sheltered by the wings of nothingness — those exquisite, enveloping, protecting wings.

I think that-that anyone, the painter, the musician, the writer works in a-a kind of an-an insane fury. He's demon-driven. He can get up feeling rotten, with a hangover, or with-with actual pain, and-and if he gets to work, the first thing he knows, he don't remember that pain, that hangover-he's too busy.

The urge to create a fictional narrative is a mysterious one, and when an idea comes, the writer's sense of what a story wants to be is only vaguely visible through the penumbra of inspiration.

As soon as your mind knows that it's on and it's supposed to produce some lines, either it doesn't or it produces things that are very predictable. And that's why I say I'm not interested in writing something that I thought about. I'm interested in discovering where my mind wants to go, or what object it wants to pick up.

One writes not by will but by surrender.