Lily Collins Quotes

Don't be afraid to mix things up by pairing a military-style jacket with a velvet skirt, vintage with modern, off-the-rack with couture, formal with casual.

I love mixing and matching patterns, styles old and new, feminine and masculine and drawing inspiration from characters like Annie Hall.

I like to mix influences from different eras, like maybe '70s bell-bottoms, something fun from the '80s, or a bit of '90s grunge.

My personal style is very eclectic. I like graphic shapes and multiple layers.

My style is a mix and match of everything. Like I said, It's Play Cloths, it's Saint Laurent, and I know I sort of won when everything can be understated, it can be three different brands, and you can't really see what it is and then you just ask, "Well damn that looks good, what is that?"

I'll mix a lot of things. I'll wear a Temperley dress with flip flops, or I might be in head-to-toe Gucci and have on a ring that I got from a gumball machine for 50 cents.

I like mixing things. I wear a lot of boots. Love boots. And then jeans, but I like to wear them with a really ruffly top. Or I love high-waisted anything.

My style is schizophrenic! One minute I'll be wearing bright girly dresses, and the next I'll be swinging towards more structured masculine things.

I have a lot of vintage, so my style is pretty eclectic of different time periods and styles. I would describe it as comfortable, creative, and vintage.

My number one style requirement is to have fun getting dressed. Nothing is too old, expensive, cheap, cute or ugly for me.

I think that British girls have a very eclectic and unique style.

I really love clothes, but I think I have a style of my own which is quite eclectic.

I would describe my personal style as putting Twiggy and Yoko Ono together. It is hobo with no rules.

I'd say an ideal wardrobe should have a mix of high-fashion gowns, clothes that spell 'boho chic,' and at least a few things that are playful.

My style is kind of all over the place. I've always loved the combination of leather and lace, but that's probably just been something that I fall back on if I can't really figure out what to wear.

I can wear a suit, sweatpants, a long tee shirt, and a denim jacket all at the same time.

Today, people no longer go out with a total look or ensemble taken straight from the runway. Customers mix and match between labels and between price points. The idea is to create something for yourself: what you want, and how you want it. I realize that shoppers want more flexibility and choice now.

As soon as your mind knows that it's on and it's supposed to produce some lines, either it doesn't or it produces things that are very predictable. And that's why I say I'm not interested in writing something that I thought about. I'm interested in discovering where my mind wants to go, or what object it wants to pick up.

NOT to my contemporaries, not to my compatriots but to mankind I commit my now completed work in the confidence that it will not be without value for them, even if this should be late recognised, as is commonly the lot of what is good. For it cannot have been for the passing generation, engrossed with the delusion of the moment, that my mind, almost against my will, has uninterruptedly stuck to its work through the course of a long life. preface to the second edition of "the world as will and representation

It is important that the painting can be inhabited, so that the mind's eye, or the eye's mind, can move about it credibly.

The working process is ideally freeing my mind.

you don't need talent to be an artist. 'Artist' is just a frame of mind. Anybody can be an artist, anybody can communicate if they are desperate enough.

Dada is a state of mind.

Style is something you can use, and you can be like a magpie, just taking what you want. The idea of the rigid style seemed to me then something you needn't concern yourself with, it would trap you.

The freedom to create is somehow linked with facility of access to those obscure regions below the conscious mind.