Michael Nesmith Quotes

I love to improvise when it's appropriate and encouraged by a producer.

Hip hop is doing the new rock thing; there are no rules. They can do anything, really. And that's inspiring.

Any talk of 'craft' makes me laugh. My music looks outward; it does not gaze upon itself in admiration. Artisanal is for cheesemakers. I don't know anything about music theory. Every time I approach my guitar, it's like the first time. There's no craft in that.

You've got to sing like you don't need the money.

I grew up in what you might call a relentlessly creative household. We were given art supplies, music supplies... Our mother knew enough to get us started and then stand back and not meddle. My parents never said to us, 'Don't you think you'll need something to fall back on?' They acted as though creativity was completely normal.

I don't think about what I can't do or what I shouldn't be doing. I just think there are endless possibilities musically, really. And I'm very, very open to experimenting with different people and trying to find different methods of writing and making music.

The way I did the first album... the way I wrote 'Church'... was just to trust my instincts with the music and let it kind of do what it does.

Ideas come and go, stories stay.

Love is the only bow on Life's dark cloud. It is the Morning and the Evening Star. It shines upon the cradle of the babe, and sheds its radiance on the quiet tomb. It is the mother of Art—inspirer of poet, patriot, and philosopher. It is the air and light of every heart— builder of every home—kindler of every fire on every hearth. It was the first to dream of immortality. It fills the world with melody, for Music is the voice of Love.

The great thing about music is that whatever you're into, you see new possibilities.

When I'm doing a drawing, I get lots of ideas I use them in my songs, even. I do a lot of drawings because that's where I get most of my spending cash and I just always have to have new records, to get something to satisfy my listening pleasure.

Didn't I seize the fire of ideas and make them leap, tear, fly, sing

Painting is a magical process that I like, where you conjure something out of nothing; you get a little idea that leads you through ... You can go into a trance while you're doing it, so it's a nice contrast to real life.

If an artist may say nothing except what he has invented by his own sole efforts, it stands to reason he will be poor in ideas. If he could take what he wants wherever he could find it, as Euripides and Dante and Michelangelo and Shakespeare and Bach were free, his larder would always be full, and his cookery might be worth tasting.

I wanted to create a more spontaneous outlet for my songwriting to have alongside the more long-winded process of making an album. I wanted to have some fun.

I think everybody should just turn off their TV machines and make up their own songs about whatever comes to mind-their couch, their friends their loaves of bread. Everybody's got their own songs. There should be so many songs out there that it all turns into one big sound and we can put the whole thing into a pickup truck and let it roll off the edge of the Grand Canyon.

Ideas are the old-age of art. Artists have to keep young; they must not think too much - thought is death, while art is life. Such was Emile's viewpoint.

As much as I love performing, nothing juices me up creatively like being in my own studio for an extended period. Songs, ideas, even paintings are pouring out of me. My inspiration and usual subject matter: life.

Don't use your brain to play it, let your feelings guide your fingers.

"Music, for me, has always been a place where anything is possible--a refuge, a magical world where anyone can go, where all kinds of people can come together, and anything can happen. We are limited only by our imaginations.

Words and ideas can change or influence the mind just like music can - yes, like a spell. Regarding the effect of my "spells" I think it varies; my music communicates with some, and I think it has had a positive influence on the minds of those who like it. I hope it helped them see the world from a different perspective.

I don't carry notebooks and I don't consciously store ideas. I try not to think that I am a writer and I am pretty good at doing that. I don't like writers, but then I don't like insurance salesmen either.

If we, citizens, do not support our artists, then we sacrifice our imagination on the altar of crude reality and we end up believing in nothing and having worthless dreams.

I am simply impressed by the unexpected insights which shower down on me when my job is to imagine, as contrasted with the woodenly familiar ideas which clutter my desk when my job is to tell the truth.