Darren Boyd Quotes

The same issue is happening on a show like Everybody Loves Raymond now, which is in its eighth year and struggling to come up with good stories. It'll be interesting to see how they do. The bottom line is, it starts with the writers and ends with the writers.

I remember the guest stars who came, they were always trying to find a new plot for their characters because they wanted to stay. It was really a great working environment.

Brimstone was great. That was another occasion when they called me in to do the pilot and it turned into a regular job, which made me quite happy. It was another really good experience and we were all so surprised when they pulled the plug on it.

The cool thing about 'Transparent' is that the show is funny but not like a sitcom is funny. It all comes down to the writing... The writers on that show are so good that you don't have to worry about anything. There are so many things that can go wrong making a TV show or a movie, but if the writing's good, that's, like, 95 percent of it.

I was sad the show [Payne] only lasted one season. It was a big undertaking. It'd be fun to revisit, but it'll probably never happen.

I think I was just so ecstatic that I was working, and then as it went on, you know, I started to really appreciate that it ["Freaks and Geeks"] was good and that we were doing something a little different and that, you know, everyone was really cool to work with and that it was really talented group of people, and it was just when I was realizing that, that it got canceled.

I got canceled in the middle of making the pilot.

Being in the industry, I've seen many situations where someone will get the call from the network where they say 'You guys have 5 episodes to wrap it up.' Then all your long-term story arcs gotta get wrapped up in five episodes because that's how many episodes you got left. I would hate to see that happen to 'Castle'.

My approach to 'Star Trek' was, 'I know science fiction, and I know screen writing.' That was very arrogant of me, but you really need to be a little bit arrogant to think that what you have to say is good enough to justify the expense of hundreds of thousands - now millions of dollars - to make an episode of the TV show.

I loved 'Dirty Sexy Money.' That didn't have a long enough shelf life. I would've liked to explore that character and play with that cast longer. That was a lot of fun to shoot.

I remember being unbelievable bummed when 'Freaks and Geeks' was canceled.

One of the things I noticed about the '2 Broke Girls' pilot was that it looked like a new episode in a season and not a pilot, and that's an amazing sign.

I've started a company, called Tall Girl Productions, and we've got our first project that is purely producing, not writing, with a writer named Evan Daugherty. It's for NBC, it's called 'Afterthought,' and it's science fiction-ish. That's fun.

I really love this character I played called Becky Freeley in a T.V. show called 'Miss Guided'. We only shot seven episodes, and nobody watched it, and it was on for, like, a second, but I really liked that character.

And I was booked once to go on 'Ed Sullivan' and I got bumped and ran out the back door crying.

'Lost' was my favorite show! I'm really sad that it's gone.

In ten episodes, we were able to do our writers' room first. We did that all summer and wrote for 15 weeks and got everything in really good shape.

'Vegas' was something very close to me. I had such a blast doing that. I'm still a little upset that we never really got to shoot that final episode. So many people were invested in it. I'll always be sad about that.

I'm a writer; I've worked as much as a writer as I have as an actor, so I was in a script-note session at Imagine for a TV show I wrote that they were producing, and they happened to say, 'You'd be great as Crosby, do you want to do this show we're doing, 'Parenthood?'

I am so happy to be on a show with writing I wanted to participate in.

I didn't know 'Homeland' was going to be 'Homeland.' I just did it because it was a terrific script, and they pitched me the story line, and I was like, 'Huh, that's interesting.'

'Justified' had such dead-on beautiful scripts that you didn't want to mess with it.

I don't know what's coming down the pike in 'Gotham.' Part of me goes, 'Man, I just wish I could be in the writers' room. Do you need someone to make you guys coffee?' I just want to be a part of the flow of it.

When I create a TV show, it's so that I can write it. I'm not an empire builder; my writing staff is usually a combination of two kinds of people - experts in the world the show is set in, and young writers who will not be unhappy if they're not writing scripts.

Unfortunately, the back log for writing for 'Walking Dead' is pretty backed up! Usually, we wouldn't see the scripts until the week before - or sometimes even the week of.