Will Poulter Quotes

So I've had really great assistant directors for my last seven movies.

Honestly, when you're making a movie, you never say, 'Oh, this one's going to suck and go straight to video.' When you're in it, you think you're doing the best work you can do. You're surrounded by people who are working hard. Everybody's hopeful.

We stayed there 24 hours a day. We lived and ate and slept that movie. We were enthusiastic, not just because of the movie, but because we had such a great collaborative team. We had a really good time. It was very much a family.

I would love to do more films. I really like the whole process of doing that. I like how close you become to everybody.

You never know when you read a script how it's going to turn out because so much depends on the collaboration between people. If I'd been in some of the movies I turned down, maybe they wouldn't have been a success.

The crew on 'Three Bilboards,' by the way, is one of the best I've ever worked with. And that's not hyperbole.

When you do movies, it's you have a 3-month family and then everybody goes away and then joins another family, you know?

What you do is get the right director and the right screenwriter and the right cast. It's a fantastic job.

I don't make movies because I love to act. I make movies because I like to make movies, and I like to be a part of that process.

Filmmaking is a miracle of collaboration.

I grew up on film sets but more around the process of making films. I saw a lot of the editing process and the writing process, which takes years. That really affected me growing up, that side of it.

I think the most fun part about working on 'Good Luck Charlie' is spending time with everyone, honestly, because everybody on set is like my brother and sister and mom and dad. They're so fun to be around, so that's probably the best part about working there.

I produced and starred in 'Wake the Riderless Horse,' a short film that my buddy wrote and directed.

Actors bond really quickly.

Filmmaking is a much more collaborative thing than literature, so you know you're going to be working with a group of people at the start. You know it's going to be a compromise.

Making a movie is a little bit like high school. Because everybody lives together, and you see each other every day, and word travels fast around there.

It's a really exciting thing to collaborate with production designers, cinematographers and gaffers and costume designers and editors and composers.

Film is a collaborative medium, and I very much enjoy that.

I still recall how nervous I was when I went for the recording of 'Guzarish'… When I reached the studio, all of them were there - Rahman, Aamir Khan, lyricist Prasoon Joshi and director A.R. Murugadoss.

I'm a big believer in building a crew. Movies are the most collaborative art form at the tend of the world, and it takes hundreds of people to make one. At the end of the day, I get the lion's share of praise or blame but everybody on the ground knows that it was all of us.

Working with Rajamouli and Karan is home ground for me now, having worked with them for such a long time.

I know that in Bollywood, there is this constant talk on which actor's film is minting how much money, but we are living in a time where the focus is shifting from 'actor's responsibility' to the result of a great team work. I believe filmmaking is about that.

Any film is a collaborative process, you've got thousands and thousands of people working on it.

We mystify the art of moviemaking, but it's not amystical science. You take a good screenplay, put a group togetherand you hammer it out.

Anybody who knows how to make a good movie, knows that it's a collaborative undertaking. To deny that its really dangerous.